Paul Brett

383 Responses to “Q&A”

1. on 22 Oct 2007 at 2:34 am1Steve Moppert

   Mr. Brett
   I have a 12 string Stella/Westbrook identical to yours. I would like to send pictures of it to you. I just had it restored by Mike Hauver who works on Neil Harpe's guitars.

   I have a copy of your DVD "Collecting Vintage Guitars", and will be ordering your new DVD "12 String Guitar & Beyond".

   Sincerely,
   Steve Moppert

2. on 22 Oct 2007 at 10:17 am2Paul

   Hi Steve,

   Sorry for the confusion, this site is new. You should be able to post now without moderation. Great guitar the Westbrook 12 string. Rarity 10 out of 10, yours is the only other i have seen. Neil is a friend of mine and he rates Mike's restoration work very highly.
   Send me a higher resolution jpeg around 800kb and i'll do a piece on it in my Column for Acoustic. Send me some history, where you brought it etc.

   cheers,

   Paul

3. on 15 Nov 2007 at 1:31 am3Paul

   Article is about Steve Moppert finding an excessively rare Stella Westbrook 12 string guitar for an amazingly cheap price. This guitar was the model played by Blind Willie McTell in the late 1930's. This find represents the second one that i know of in the world. For more information on Stella Guitars go to www.stellaguitars.com or www.fret-dancer.com also visit www.earlyblues.com for a comprehensive list of guitars that the early blues legends played.

4. on 15 Nov 2007 at 4:03 pm4keith hills

   Hi Paul,
   I would like to get hold of a nice condition Guild GADF212 small body 12string, tho I wouldnt think there's many about,
   So I am considering one of the new Chinese reissues. I would be interested in your opinion of these, if you've seen any as yet. I really like the OM body size.What do you think of these? I read with interest your article in Acoustic and am interested in how these guitars would work for fingerstyle,blues/ragtime players.
   Many thanks for any help you can give me.
   Best regards.
   Keith Hills
   .

5. on 15 Nov 2007 at 6:31 pm5Paul

   Hi Keith,

   Haven't tried one of the GAD F212's yet. I have a 69 original made in Hoboken and it's immense. It's my main 12 now for overall playing styles, except my own orchestral style, which i use my Aria Paul Brett model for in maily open tunings. My F212 i tune down an octave and a half from concert and drop the E string to D for lots of blues stuff. I use La Bella Light Gague silk and steel strings. It sounds like a big piano for Blues picking. There are some good buys here if you follow the gbase link in the states : http://www.gbase.com/Stores/Gear/GearList.aspx?GS=Y&PageIndex=2&PageSize=25&SF0=10&SD0=1&SF1=11&SD1=1&SF2=12&SD2=1&SF3=8&SD3=1&F1=2&F2=2&F3=2&Keyword=Guild&TF=1&TI0=10
   There one or two resonably priced 60's ones on there as well. I prefer the 60's models to the later ones. I'll try and get to look at a new GAD F212 sometime and post my response here.

   Paul

6. on 18 Dec 2007 at 10:10 pm6mark welsford

   hello paul
   i've been meaning to do this for years...

   i have a 6 string acoustic guitar which was sold to me by a friend some years ago, it's headstock is very similar to the attached picture, bears your name, etc.
   the back of the headstock has a slight indentation which looks as if it might have been an aria logo, or something similar...
   it has been my mainstay acoustic for probably 12 - 15 years
   i wonder if you might remember this guitar and what its history is, i'm hoping that it wasn't stolen from you !!!

   kind regards
   mark welsford
   

7. on 19 Dec 2007 at 1:08 am7Paul

   Hi Mark,
   You have a 'Paul Brett' signature 6 string, made by Aria in the 1970's. Retailed then for around £199. Now selling (if you can find one ) for between £500 - £700. Along with the John Joyce (JJ) models, they were voted by Guitar Magazine, one of the best Acoustics that the Japanese made and one of the only models to constantly appreciate in value. There is also a 12 string version, which is rarer to find and sells for £750 - £900. Glad it's served you well over the years and no, it wasn't stolen from me !

   Paul
   

8. on 10 Jan 2008 at 7:23 pm8Paul

   Hi Paul

   I wonder if you could recommend some luthiers to carry out repairs to vintage guitars (ideally located in NW England or N Wales)

   regards
   Paul
   

9. on 10 Jan 2008 at 8:09 pm9Paul

   Hi Paul,

   Try this guy.

   Dave Milligan
   The Well Guitar Clinic
   Colwyn Bay.
   Tel : 01492 531135 (shop) 07745 880001 ( Moblie )

   Dave also makes his own guitars and has done a few repairs on my guitars.

   Hope this helps,

   Paul B
   

10. on 26 Jan 2008 at 4:56 pm10Graham Hodge

    My father bought this guitar during the war in Catania, Sicily, c1943. His pal in the RAF made a case for it out of a wrecked Spitfire wing (which I still have!). I've wanted to know, for years now, a little morer about its history. The name on the front is "Grimaldi Emilio" and it also says Catania, Sicily. I've no doubt it's not particuarly valuable, and only priceless to me... I've tried for years to get more info on it, hope you can help.
    All the best
    

11. on 27 Jan 2008 at 12:45 am11Paul

    Hi Graham,

    What an interesting story and guitar. There were lots of singular luthiers making in Europe around that time and before the war. I have no information on the maker you mention. I have an address of a luthier based in Catania
    Loverde Santo
    Via del Ciclamino 42, 95121 Catania
    Tel. 095-451046

    No email i'm afraid for him but you could write and ask him if he is aware of Grimaldi Guitars. He would be best placed to have local history of other luthiers in Catania's historical timeline.

    I have a similar desire to find the maker of a European Cello head acoustic i have which was also made in the 1940's http://www.fret-dancer.com/viewguitars.php?groupid=49

    I write a regular Collecting Vintage Guitar column for Acoustic Magazine and if you can send me some good quality jpegs by email of around 800kb's. I will put your guitar in and ask readers if anyone has any info on the maker. Use my paul@fret-dancer.com email for pics and enclose a more in depth story behind the guitar's aquisition by your father and the 'case' etc.

    Paul
    

12. on 27 Jan 2008 at 8:01 pm12Graham Hodge

    Thanks for the reply, I'll pass on some photos when I get a minute. Just recognized Mr Keith Hills there, (message 5) we played last summer at a garden party in Cornwall, had a great night, It's a small world... (but I wouldn't like to have to paint it...)
    

13. on 30 Jan 2008 at 10:08 am13Antonio

    Hi,Paul
    I would like to ask you about the Aria guitar you have. I´ve founded a very similar 12-string Aria in a guitar shop and i´m thinking about buying it. Of course it doesn´t have the logo with your name, but the old logo of Aria. How long were they hand-crafted? It is writed inside of the guitar "hand crafted Japan" and i´d like to know the age of this guitar as well more info you could give me and your opinion, there´s no much info about it on Internet!
    Thanks
    

14. on 30 Jan 2008 at 6:57 pm14Paul

    Hi Antionio,

    My models were made in the mid 1970's, around 1977. They were based on Aria's AW30 models, which i personalised with my own embellishments. Have a look inside the soundhole and see if the guitar is marked AW30. If so, that's the model that my guitars were based upon. Hope this helps.

    Paul

    ps: If you buy this guitar, upload a picture to this site for reference.
    

15. on 01 Feb 2008 at 8:44 pm15dean

    hi paul,
    i have a very old guitar that my uncle gave to my father 25 yrs ago and has been handed down to me.i also have a letter from my uncle which says that he bought the guitar in howich in 1941 for £5,s/h. i dont know much more about the guitar otherthan all inlays seem to be expertly done and the guitar still plays perfectly well. any info regarding headstock logo "BELLTONE" or anything else would be greatly appreciated
    many thanks
    dean
    

16. on 01 Feb 2008 at 11:29 pm16Paul

    Hi Dean,

    Any chance of uploading a photo of your Belltone to this site, so i can have a look ?

    Paul
    

17. on 03 Feb 2008 at 12:36 am17dean

    hi paul, i did try to send photo, maybe i need to resize or change format, i will try. this should be fun. thanks again
    dean
    

18. on 03 Feb 2008 at 1:07 am18Paul

    Hi Dean,

    Your photo did upload. I'll have a look and get back to you.

    Paul
    

19. on 07 Feb 2008 at 1:08 am19Paul

    Hi Dean,
    There are two brands of guitars under that neme. 'Beltone' , with one "L" , was a name used in Canada by a distributor from the WWII periof through the 50s. Yours is a 'Belltone' name used in the US for instruments made by the United Guitar Company in N.J. I have a Belltone 'faux' resonator. Neither makes are in strongly in demand as such by collectors. Your guitar is worth keeping as you never know what will be deemed collectable in the future.

    Paul
    

20. on 07 Feb 2008 at 6:10 pm20dean

    thanks for the info paul, i shall keep hold, and look after the guitar. its a really nice old guitar and plays really well and also sounds quite unique.
    thanks again,
    dean
    

21. on 11 Feb 2008 at 1:14 am21Mike O'Connor

    Hi Paul

    I'm currently putting together an authorised website to do with all things Friars Aylesbury. You played there way back including supporting Mott The Hoople. If you have any memories of playing Aylesbury, would love to have you on board.

    Cheers
    Mike
    

22. on 11 Feb 2008 at 2:18 am22Paul

    Hi Mike,
    I can remember playing at Friars a couple of times and vaguely with Mott the Hoople. My old band members in Sage can remember the gig but nothing that sticks out, except the audience were always good and receptive to our music. pity no one back then kept a diary of individual events. There are lots of great live venues that have closed over the years and that's a shame. Sorry i can't remember more.

    Paul
    

23. on 11 Feb 2008 at 11:02 pm23Mike O'Connor

    Spookily, I am just compiling the page for 4/9/71 when you did play....with Mott the Hoople ! Thanks for the quote, Paul - I'll put on the website.

    Best wishes

    Mike
    

24. on 26 Feb 2008 at 10:53 pm24Martin Vinson

    It's me again. When are you going to get your ar$e over here to play some gigs? Been looking at your website. Everybody on the planet has got a mention who you've played with EXCEPT ME! Still got the blues band going. Phone me you old git.
    

25. on 27 Feb 2008 at 11:13 am25Paul

    Martin,

    How the devil are you ? Sorry about leaving you out, have corrected that now in the Discography section. Have been meaning to get over to la Belle France to see you and Gerard Jelsch, but i'm writing for four mags at present, plus the music stuff and i just have'nt found the time to get away. Have lost your telephone number so please let me have it again.

    take care,
    Paul
    

26. on 29 Feb 2008 at 3:55 pm26Gerry Cooper

    Hi Paul. I've followed your fascinating column in Acoustic and believe you may be able to help me. Following the recent death of a friend of the family, I was given a "gypsy jazz" guitar which had belonged to him. It was made by hand in Paris by Jean Baptiste Castelluccia but despite contacting the present M. Castelluccia (the grandson of this guitar's maker) I have been unable to obtain any information about the guitar. It's in pretty good condition considering it was professionally gigged for many years and it sounds monstrous - really loud, sharp tone. The only other Castelluccia I've come across was on gypsyguitars.com and it was selling for $3,000 (!!) and it was pretty new. This is an older guitar, probably late 50s or very early 60s as JBP handed the firm over to his son in 1962. I've attached a photo and would welcome any information you may be able to give me, even if it's just a web address for fans of gypsy jazz guitars...

    Sincerely,

    Gerry Cooper
    

27. on 29 Feb 2008 at 6:42 pm27Paul

    Hi Gerry,

    Here's a couple of guys that may be able to assist you in your enquiries :
    http://www.andymackenzie.com/
    Andy is an authority on Gypsy Manouche Guitars

    http://levoi.members.beeb.net/
    Jon is a world famous maker of Gypsy Guitars.

    Jean Baptiste Castelluccia made the guitar in the pic in 1974. It's called the "Castelluccia Petit Bouche ". http://www.archtop.com/ac_castelluccia.html There's a whole biog of info on the family on this site.

    The International Gypsy Guitar Festival is held in Gossington, Gloucester in July. May be in your interest to attend http://www.iggf.co.uk/sub_pages/line_up.htm

    Hope this helps,

    regards,

    paul
    

28. on 01 Mar 2008 at 3:45 pm28David Spence

    hi paul,
    i have been passed down my grandfathers guitar, an old gibson advanced jumbo (my father remembered it arriving in 1936 but i'm not sure how accurate this is). the guitar is in great shape, never needed repair, and is still in the case it came in from gibson. i don't play well enough to do justice to a guitar this good so i probably should sell it but i don't know how to go about dealing a vintage instrument and getting in touch with the right people. i could use the money of course but in my heart i would really like to see this fine old instrument being played by someone who can appreciate it. the few people that i have let play it have been amazed. there is more to the story and some other bits and pieces that go with the guitar as well as more pics if you are interested. in the meantime any advice you could give would be most appreciated.
    thanks,
    david
    

29. on 03 Mar 2008 at 2:57 pm29Paul

    Hi Dave,

    If it's all original and genuine, you could expect a top private sale or retail price of around the $50K mark. From a dealer, you'd probably be offered somewhere in the region of $30K. You grandfather has indeed left you a very collectable guitar of great value. If you decide to keep it, make sure it's well insured and stored in a safe place and at the correct temperature.

    Paul
    

30. on 06 Mar 2008 at 6:50 pm30Woof

    Hi Paul, I bought an album of yours round about 1976/77 .It was the one with an hour glass on the cover and contained a song about "it's the coming of the warlock" . to my shame I can't remember the album title or indeed the name of the song i've mentioned . I'd love to put the album back into my collection, is the album (and that tune in particular) still available ? Details if you have them please.

    Many many thanks
    

31. on 06 Mar 2008 at 8:08 pm31Paul

    Hi Woof,

    I have CD copies of this LP. The first "Paul Brett Sage " one with the hourglass. The price is £5.00 including post within the UK. If you want one, let me know and I'll arrange for a pay pal invoice to be sent and you can pay by cc.

    Paul
    

32. on 08 Mar 2008 at 7:46 pm32Stephen

    Hello Paul,
    I have a few questions I was hoping you could help me with.
    Firstly, how common is it to come across a Guild F212XL 12-string on the used market here in the UK? I have never seen one for sale here, in fact I see very few used Guild 12's on sale here. I guess that is how good they are! Many say the F212 and F212 XL are the greatest of 12-strings.
    Also, could you tell me a little more about the late John Joyce who you have mentioned in your ACOUSTIC column? I have tried finding out more info about him but there seems to be very little around. I love that clip of him playing Jubilee on Youtube.
    Also, do you ever visit Frailers guitar shop in Runcorn, Cheshire? I'm sure I saw you there a few months ago on one of my visits?
    That's it I think.
    regards
    Stephen
    

33. on 09 Mar 2008 at 1:42 am33Paul

    Hi Stephen,

    Vintage Guild F212's and F212XL 12-string's are rare to find in the UK. You can find them more in the States. Here's a link http://www.gbase.com/Stores/Gear/GearList.aspx?GS=Y&SF0=12&SD0=1&SF1=8&SD1=1&FY=1960&LY=1980&Keyword=guild&TF=1&TI0=10
    John Joyce was my playing buddy for over thirty years. He played a 1970's Guild F212 . Although on the YouTube clip, he's playin an Harmony Stella 12 string, made especially for a trade show in the 70's. If you go to www.fret-dancer.com click the about us page then click the John Joyce link. This will take you to John's page.
    Never been to Frailers in Runcorn.
    Regards,

    Paul
    

34. on 13 Mar 2008 at 1:57 pm34Woof

    Hi Paul , re

    "I have CD copies of this LP. The first "Paul Brett Sage " one with the hourglass. The price is £5.00 including post within the UK. If you want one, let me know and I'll arrange for a pay pal invoice to be sent and you can pay by cc.
    Paul"

    Yes please , once again many thanks.

    Woof
    

35. on 28 Apr 2008 at 11:18 am35andrea

    Hello Paul,
    I'm interested in a guitar I've seen on fretdancer guitar museum
    in the for sale section. The guitar is the first hawaiian conservatory
    made by oscar schmidt. Please can you tell me something
    about it. Is the guitar crack free and all original ,need some repair?
    How is the neck?
    Thanks , best regards
    Andrea
    

36. on 28 Apr 2008 at 4:30 pm36Paul

    Hi Andrea,

    I'll check it all out for you and contact you by email when it is done.

    thanks,

    Paul
    

37. on 07 May 2008 at 10:47 am37ROY

    Hi Paul
    I own a Aria John Joyce JJ six string accoustic that is still in brand new condition & in original case i have owned it for more than 15 years,i also have correspondance from John Joyce sent to me after i spoke to him on the phone asking about guitar.
    He provided me with original advertising literature + copy of receipt for 12 string & six string sold to Cliff Richards he also told me what woods were used,what strings would be best & the trouble the japanese makers had getting the red Herringbone inlay.
    Iwould like to know approximate value now.
    Regards Roy
    

38. on 07 May 2008 at 1:59 pm38Paul

    Hi Roy,

    I have seen John's 6 string sell for between £600 and £800. The letter and info from John should add value to the guitar with collectors. They are extremely rare and along with my PB guitars, were voted by Guitar Magazine as the best acoustics to come out of the Japanses mauufacturing system.

    Hope this helps,

    Paul
    

39. on 16 May 2008 at 9:34 pm39Mick Pattinson

    Paul,
    Its been many years .Just came across this website. I was the social sec at Trent Poly many years back in the mid 70's. Fond memories . Last gig I booked you for was support to Racing Cars , you got me on stage . Signed one of your albums "To Mick with the 'orrible 'armony voice" Never forgot that night. On stage 1977 doing 'armonies on "Catching Catfish". Am now living in the Virgin Islands .Troll websites for memories !
    Cheers
    Mick
    

40. on 17 May 2008 at 12:24 am40Paul

    Hi Mick,
    Remeber it well. We had some good gigs at Trent Poly. Funny story with Catchin Catfish. on the last night of the Barclay James Harvest Tour, their roadies lowered a string full of kippers from above my head. The audience were falling about and i thought the words weren't that comical. until about half doz smelly kippers dropped on my head !

    Stay Well,

    Paul
    

41. on 21 May 2008 at 9:41 am41Chris Boland

    Hello Paul. I have an Aria JJ-12 that I bought second hand in 1986 at Potters' Music Shop in Richmond (now sadly closed). I don't play it much anymore but it's a lovely guitar and on the few occasions I get it out I find it very hard to put down. Although the sound has a lovely, balanced, quality it doesn't seem particularly loud. I keep it tuned from D to D - when I used to try to tune it to concert the wound G always went. Apart from one or two very minor dings it's in very good condition and it has matured very nicely. I don't plan on letting it go anytime soon but if I do I might ask you for your opinion on what it might be worth.

    I had a JJ-6 as well for a few years but I traded it in for a 1963 Martin 00-18, again from Potters, which I still have and which will be buried with me. I agree that it too (the JJ-6) was a lovely guitar but, I felt again, rather quiet. I sometimes wish I still had it but then it did take a very good vintage guitar to make me give it up.

    That's it really. Just chatting.

    Cheers,

    Chris
    

42. on 22 May 2008 at 12:46 am42Paul

    Hi Chris,
    Gerry Potter had a really unique music shop and both Gerry and his shop are sadly missed. As you know, John used to work for Gerry setting up and repairing guitars for awhile. John sold his 6 &12 string Aria JJ's in disgust that Aria had not accredited him for the design of the Sandpiper guitar. He died quite bitter about Aria and the way he had been treated. He wasn't interested in money, just to be acknowledged for what he designed. I have both 6 & 12 JJ guitars and you are correct that they are not as loud as other guitars, but they do possess a very good recording quality. The 12 's are selling retail if you can find one for between £750 and £850 and rising.

    Regards,

    Paul
    

43. on 05 Jun 2008 at 8:06 pm43Rob Carter

    Hello Paul,

    Some members of The Unofficial Martin Guitar Forum suggested that I write you for information on this guitar. A sweet 97 year old lady from my church gave this guitar to me that was formerly owned by her husband. I can't seem to find out any information about the model and the year it was manufactured. Any help would be appreciated.

    Rob Carter
    Springer, Okla. US.
    

44. on 06 Jun 2008 at 10:54 pm44Paul

    Hi Rob,

    The photo doesn't enlarge too well, it's not clear when enlarged. I need to know what's printed on the headstock and on the pick guard. A better quality pic of the headstock and pickguard would also help identify it easier.

    thanks,

    Paul
    

45. on 07 Jun 2008 at 12:41 am45Rob Carter

    Thanks Paul,
    Here you go:
    

46. on 07 Jun 2008 at 12:49 am46Rob Carter

    http://images.yuku.com/image/pjpeg/d4726e4368d115a975edc871eba408f154ae7e6a.JPG

    http://images.yuku.com/image/pjpeg/1eb26ad381dd75527aedb373d0676e8fe5637d4a.JPG

    http://images.yuku.com/image/pjpeg/6ca365f7302cdda85e2970e0d7de7f6631cdcdd5.JPG

    http://images.yuku.com/image/pjpeg/72816f3cd95573d4744836306db738d5786bb79e.JPG
    

47. on 07 Jun 2008 at 11:55 pm47Paul

    Hi Rob,

    Thanks for the clearer pics. It looks like a Kay made arch top. Model number K6878 Style Leader made between 1966 and 1968.

    Hope this helps,

    Paul
    

48. on 10 Jun 2008 at 6:43 pm48John

    Hi Paul, If you could help me identify this guitar it would be great. I bought it quite a few years ago. I believe that it came over from the USA. It is tired but its does play pretty well. It's ceratinly seen a lot of use in the past!

    It has a spuce top, maple sides, hardwood binding on the top and pretty unique peal inlay. The figerboard is rosewood. On the haedstock you can just see "As...." and I think an "h" making "Ash..." on the front just to the right of the tailstock you can also just see a capital "As ..." and about a 5-6 letter lenght slight imprint.

    Its been bugging me for years.

    If you could help I would be grateful.

    Thanks

    John
    

49. on 19 Jun 2008 at 9:36 pm49Steve Denholm

    I saw your article on 12 string guitars in Acoustic magazine and I have been listening to David Lindley a lot lately. You rate Guild F212s highly and Mr Dave uses an old F212!
    I would like to buy an old one but they seem to be scarce in the UK. Also saw your recommendation of Top Shelf Music and got in touch. A week later and Scott has found one , a '69 for $1200.
    I should have pictures tomorrow.
    Do you have any idea what the import tax and delivery might cost? I assume vat is on top,added to all of this?

    I know someone with a Harmony Stella but I dont know if he would sell it. What would be a reasonable offer for it? It is in good original condition.

    Many thanks
    

50. on 20 Jun 2008 at 12:28 am50Paul

    Hi Steve,

    I too got my 1969 Guild F212 from Scott awhile back. It's a beauty. The pre 1970's ones seem to be better and lighter in weight. I'm sure that Scott will have found you a nice one. The price is also good as i have seen the 1960's ones go for much more in the States. Depends on what Harmony Stella it is. You can pick these up cheaply on ebay but they usually need quite a bit of repair. When they were made, Harmony issued a leaflet with each guitar saying that they must be tuned at least a tone below concert. Unfirtunately, many players didn't heed this advice and tuned to concert usuing med strings. This caused necks to pull away from bodies and tables to warp. I'd pay around the £500 mark for a very good 922, the early Willie McTell Harmony Stella without a truss rod in the neck. Later ones between £250 and £400 ish depending on the condition and sound. Import duty is generally lower than the VAT charged by Customs, but both have to be paid, even on second hand imports. That's our wonderful country for you !
    Here's probably the best Harmony Stella 12 string i have heard. It was John Joyce's and i brought it from John's wife after he died, it a great sounding guitar and one that i would pay good money for over and over again. http://www.youtube.com/watch?v=HX9Qhqu13fw

    Good Luck,

    Paul
    

51. on 22 Jun 2008 at 10:14 pm51Dan Rowland

    This guitar has been in my family since 1929-30.
    It has been extensively restored....It is kept
    tuned down to C perhaps B with the correct
    gauge strings.

    It sounds like a piano..

    Dan "Ruester" Rowland
    Kentucky USA
    

52. on 22 Jun 2008 at 11:40 pm52Paul

    Hi Dan,

    Truth is sometimes painful....... I thought that this was an Oscar Schmidt made Stella 12 String, but the repairs you have had done confused me a little, zero fret, bridge etc. So,
    I emailed it to Neil Harpe, the Worlds leading expert on Oscar Schmidt made guitars. His comments are sincere and honest and i hope you take them as such....

    "I am pretty sure this is guitar a Stella (Oscar Schmidt). What's the scale length? That sould be a good clue. Should be about 26.5" (+ or - a smidgeon). Bridge appears to be a replacement. The tailpiece certainly has "Stella" written all over it. After looking at photo again, I can just about guarantee you that the scale will be less than the expected 26.5". That bridge is oversized for a reason...to move the saddle closer to the nut. The zero fret was added to move nut-position closer to saddle. Resulting in shorter scale.
    The bridge is most likely glued to the top, making it impossible to undo the damage. At the very least, in that case the top would need to be stripped and refinished. But if by a lucky fluke that big ugly bridge is movable and the original finish is still intact underneath, then this guitar could be fitted with a proper 26.5" scale fingerboard and new proper bridge, and thus be brought back to some semblance of it's original state. As is, this instrument has been seriously butchered! If the owner is unaware of the fact (which I am rather sure is the case), perhaps they should be informed to the fact that these "repairs" have cost the instrument's value to be brought down to a pittance of it's potential worth! " Neil.

    Neil's is always right when it comes to identifying a Stella made 12 string. It was probably made by Schmidt for another company to market, using their own brand name and model as was the case in the early days.

    If you're happy with how the guitar now plays and sounds and are not to bothered about value then that's a comfortable position to adopt. Just play and enjoy this lovely old 12 string.

    Paul
    

53. on 09 Jul 2008 at 2:12 pm53Steve Hobbs

    Hi Paul
    Love your column in "Acoustic".
    Some time ago I bought a 1957 Danelectro U3. At some stage in its life it has had the wooden bridge replaced with a custom built aluminium one. This is fine and I can live with it. However it has also had the original volume/tone knobs replaced with what look like Telecaster knobs (see photo). I'd be really grateful for any advice on where I can source any original knobs, and who I could approach to restore them to their rightful place.
    In spite of these minor niggles it's a great guitar, and sounds wonderful.
    Best regards
    Steve
    

54. on 09 Jul 2008 at 2:53 pm54Paul

    Hi Steve,
    Try this link. They sell exact replicas of U3 parts and all Danelectro parts. You will have to sign up to the waiting list for the knobs as they seem to be currently out of stock, but there is a link to the waiting list in the knobs description.
    http://www.danguitars.com/Parts.html

    If you want originals, they are hard to find but you could leave your details on Topshelf Music's" wants list" http://www.topshelfmusic.com/ they can sometimes get you original parts for almost anything.

    Any decent luthier will be able to refit these if the positions have been altered in any way.

    I love the old Danny's. I used one for years. have a look at my old beast in a 1970's Italian TV slot. I do a bit of a solo half way through ! http://uk.youtube.com/watch?v=QKnxzEm5eTY

    Thanks for your kind comments on my articles for Acoustic. It's a great mag.

    Paul
    

55. on 21 Jul 2008 at 6:16 pm55Ross Aitken

    Hi Paul,

    Can you tell me anything about the Gibson LG-2 guitars? I have recently brought a 1953 model, that is not in brilliant condition (as you can see from photos). Do they have any value? Are they collectable? How are they percieved amongst Gibson guitars? Any info would be gratefully received.

    Kind Regards, Ross.
    

56. on 24 Jul 2008 at 9:09 pm56Mick O'Hara

    Hi Paul,
    Always enjoy your article in Acoustic!
    I have a 1919 Gibson A1 mandolin, in good overall condition, with what looks to be original frets and tuners, but the tailpeice is a replacement. I know it's a toughie but have you any idea where I could get a " The Gibson" engraved tailpeice, preferably a period one? Any help would be greatly appreciated.
    Regards Mick.
    

57. on 24 Jul 2008 at 10:43 pm57Paul

    Hi Mick,

    A remote possibility is to leave what you want on Top Shef Music's website, here's the link http://www.topshelfmusic.com/ click on the wants list and leave your information. They have come up with rare items before for people. Other than that, you can monitor the Ebay site in the States under the Gibson spares, also check out the Antique section as sometimes parts are listed there that are not listed in the main section. George Gruhn may be another source you can try http://www.gruhn.com/ again he has a "wants "list.
    Elderly Instruments do a repro list http://www.elderly.com/accessories/cats/MPTP.html
    Hope this helps,
    Paul
    

58. on 03 Aug 2008 at 9:45 am58john brewins

    Hi Paul,

    I am not much of a guitar nerd - although recently have started to look on the net because i am after a new Lowden, but i just happened to chance upon your website and I thought you might be interested to know i have a john Joyce aria 12 string. I have hardly played it sine i bought it in Brighton from Warwick Downes Music in the late seventies - I seem to recall he told me he had just brought it back from the Frankfurt show. Anyway, here are some pix of it. I have no idea if it is of value or interest to anyone. It is a beauty though! I have hardly eve played it because I shortly afterwards became interested in Irish Music and played six string. I get it out to look at it from time to time!
    

59. on 04 Aug 2008 at 12:36 am59Paul

    Hi John,

    John's JJ models, deigned by him and released by Aria in the 1970's are certainly a collectable and both are very rare. John hand signed every one and it should be on the inner label and dated. The 12 strings I have seen sell for £800 - £1000 in vgc. They are steadily rising so if you don't need the cash, hang onto it. If you decide to px it for a Lowden,. make sure you get a good exchange price and these guitars are extremely rare and most clued up dealers know this.

    regards,
    paul
    

60. on 20 Aug 2008 at 5:59 pm60Sam Mulvey

    Hi Paul,
    I have a Clifford Essex guitar Professional Model numbered 611 made at 90 Shaftesbury Avenue, Piccadilly Circus, London W1.

    The guitar does need some repais, heres the list
    Neck needs reset
    5 shrinkage cracks to the top
    Part of the ebony binding is missing
    Bridge could do with todying up

    The guitar has open cogs as the Grover machine heads have been removed for cleaning.

    Thinking of part-ex'ing for a Gibson I have seen in a local music shop, but no idea what sort of value it would fetch.

    Kind regards,

    Sam
    

61. on 23 Aug 2008 at 11:48 am61Paul

    Hi Sam,
    Difficult one this. The condition obviously reduces the value quite a bit. In repair terms you would be looking at the very least £250 upwards, maybe double plus, depending on the luthier. Neck re - sets are expensive and there is quite a lot of other stuff to be done as well to bring it up to scratch. CE didn't make many guitars and are mainly known for their top quality banjos. Having said that, there is a rare Essex Paragon for sale on ebay at present.
    http://cgi.ebay.co.uk/PARAGON-GUITAR-CARVED-TOP-MADE-BY-CLIFFORD-ESSEX-CO.-UK_W0QQitemZ220269075801QQcmdZViewItem?IMSfp=TL0808151225a10563
    Modelled closley on the Gibson L-4. I couldn't give you a price on yours because of the condition. But it is certainly a rare guitar and you can see the kind of asking price that the Paragon is up for in good condition. If your local dealer is also a repairer, maybe you can suggest a deal with him for the Gibson you want. If he can repair, he will only invest his time and materials and could make you a better px price. Other than that, you could try it on ebay and see what offers you get.

    Vick Flick ( John Barry Severn ) performed the legendary James Bond theme on what he refers to as a "big, blonde f-hole Clifford Essex Paragon Cello-Bodied guitar, fitted with a DeAmond Volume Pedal into a Vox 15-Watt Amplifier. It's home is now in the Rock and Roll Hall of Fame.
    Paul
    

62. on 26 Aug 2008 at 12:20 pm62j.middlehurst@homecall.co.uk

    Hi Paul,

    I have steel guitar which I was given 1953-54 so it must be old.
    It could be a National but the logo is almost worn off.
    Embossed on the steel body are numbers 1762617
    & Pat. No. 1741453.

    I will try to send a picture but am not sure that I know how.
    

63. on 26 Aug 2008 at 11:50 pm63Paul Brett

    Hi Jack,

    I would say definately a National. The patent numbers you give refer to a triolian made say in 1934. BUT......the body shape looks more like a duolian but the silver trim on the resonator rim doesn't look right. Have a look at this web site and you'll see what I mean.
    http://www.notecannons.com/

    I notice that there is some dot inlay missing as well on the upper fingerboard. Are you sure there are no serial numbers stamped on the guitar ? Look just below where the tailpiece is attached to the bottom bout of the guitar for something like S646 or a C1939 or similar anywhere else where you might have overlooked the serial number. Here's a pic of a National Duolian that looks very similar to your guitar.
    

64. on 08 Sep 2008 at 10:35 pm64Sherri

    For Paul Brett Are you the gentleman that sang the beautiful song I do and if yes where may I either buy just the song or download it
    

65. on 08 Sep 2008 at 11:24 pm65Paul

    Hi Sherri,
    Can't recall recording a song called "I do". Are you sure the title is correct ?

    Paul
    

66. on 10 Sep 2008 at 8:34 pm66Jack M.

    Hi Paul,
    Sorry about the long pause in communication.
    I have had a good look at the notecannons site. There is nothing exactly like my instrument. In front view, the C1939 Duolian looks very like, but mine has a round neck and the one shown has a square neck.
    I have looked very carefully for more numbers embossed on the steel body. The numbers mine has are between the tailpiece and the bridge, so even I took the tailpiece off to see if there were any more numbers lurking under it, but no.
    My search did reveal, however, that the first number I gave you is also a Patent Number, so, oddly, it seems to have 2 patent numbers 1762617 and 1741453. Those two numbers and "Made in U.S.A." are the only identification features I can give, other than the general shape.
    Any further inspirations would be welcome.
    Jack M.
    

67. on 10 Sep 2008 at 11:13 pm67Paul

    Hi Jack,

    The two patent numbers definately refer to a National Triolian as opposed to anything else, made around 1934. So I guess that's what you have.

    Paul
    

68. on 17 Sep 2008 at 11:22 am68Pete

    Hi Paul,

    I use to own Paul Brett' signature 6 string. It was stolen last week. I had a pickup fitted inside it when I purchased it in October 2000. I loved it and used it as my main guitar for writing.

    It was stolen along with it case which was a Hiscox hard case. It had a some marks on the body but very small and some scratch marks around the bottom of the head stock at the back. It also had some repairs made to it which you can see if you look inside the sound hole.

    If you or anyone hears about one on the market let me know as it could be mine. As far as I can tell any one who owns one never sells it as it is too good.

    Cheers,

    Pete
    

69. on 17 Sep 2008 at 11:10 pm69Paul

    Hi Pete,

    Sorry to hear of your loss. I'll put a piece in my Acoustic Column. Won't be till Jan however as I have sent in the next issues copy and we run bi monthly. As you say, these are very rare and if the thief sells it, then it should surface sometime. Email all the Vintage Dealers, there are not many and inform them as well.

    Paul
    

70. on 18 Sep 2008 at 12:42 pm70Alan Cattermoul

    Hi Paul

    I've just bought a "Bay State" parlour guitar on ebay. It seems to be in very good condition with only a old repaired crack around the lower bout to worry about. As this is a pre 1900 guitar what sort of strings would be best for it? ( it is nylon strung at present)

    Thanks

    Alan
    

71. on 18 Sep 2008 at 11:54 pm71Paul

    Hi Alan,

    If you are going to put metal strings on I would only use silk and steel strings or a very light gague set of bronze. I don't usually tune the old guitars up to concert either, just a tone below as a norm. Nylon strings are more flexible but will not give you an old timey sound. Best to experiment with a few different sets and makes till you are happy and the pull on the table is comfortable. Looks a nice guitar !

    Paul
    

72. on 24 Sep 2008 at 5:55 pm72Caroline McLachlan

    Hi Paul
    I have recently bought an Aria accoustic guitar bearing your name on the headstock Can you tell me more about it please.
    Photo attached

    Thanks
    Caroline
    

73. on 25 Sep 2008 at 12:17 pm73Pete B

    Hi Paul,

    Another CD request, I'm afraid.

    Many years ago when it first came out, I remember traipsing across Coventry city centre to hunt down a copy of 'Goodbye Forever' on 7-inch. Having lost it a few years later, I found another copy in a second hand shop in the 80s in Birmingham, so I snapped it up. It was one of those records that sounded as good and fresh then as when it was first released - and still does. I love that track!

    Thing is, I never got round to buying the album - 'Jubilation Foundry' - until about a year ago when I found a remastered Japanese CD version. Nice miniature card reproduction gatefold sleeve, but the 'remastering' sounded like I'd done it myself in a particularly dark coal cellar.

    I don't suppose there's a PB-approved, properly remastered CD version due out at any point?

    Cheers,

    Pete
    

74. on 25 Sep 2008 at 10:58 pm74Paul

    Hi Caroline,

    Very rare they come on the market these days. They were my signature model in the later 70's made and marketed by Aria UK. There was a 6 string (which you have) and a 12 string version. Along with the John Joyce JJ guitars, also by Aria, Guitar Magazine said they were one of the best series of guitars to be made in Japan. They have certainly risen in value from their original selling price which i think was around the £200 mark. I don't know what you paid for your but in vgc i have seen them sell for upto £900. It is a guitar that has become a collectors item and unlike thousands of other guitar from that era, it ages beautifully. I insisted that all the inlays were wood and not pearloid and that the woods used were of a certain quality. They were only supposed to have been sold in the UK and I signed a label for each sale. I have since learned that they were indeed sold outside the UK ( typical of Global businesses) and a version was turned into the Johnny cash signature model, with pearoid inlays ! George Gruhn in the States had it advertised for nearly $10,000 dollars.
    I hope you enjoy the guitar and it will increase in value if it's well looked after.

    Paul
    

75. on 25 Sep 2008 at 11:06 pm75Paul

    Hi Pete,

    I have found out over the years that lots of my stuff has been released Worldwide by many labels who forget to send royalties to the artistes whose music they sell. To be honest, I have given up concerning myself about it. The music business per se is not something I worry about these days as I make all my own stuff and put it out in the atmos. I don't think record companies seek approval of artistes for old/new releases anyway. Much better to move on for most of us survivors. Can't help at present with this one.

    Paul
    

76. on 28 Sep 2008 at 4:53 pm76Andrew Lawson

    Dear Paul,
    I recently bought a Harmony Vogue. After playing and collecting for many years I was surprised to have never come across one. It looks a bit like a Kalamazoo. What an absolute delight it is too. A nice resonant, dry sound. Very easy to play. It looks like it could be birch back and sides and I believe it to be 1930's.
    It's good to see interest and affection growing for Harmony guitars. I have ten other Harmony models from the 60's period but never had my hands on a model any earlier than that. Can you put any more light on the Vogue model? was it produced for long?
    A couple of photos are attached.
    Best regards,
    Andrew Lawson
    

77. on 28 Sep 2008 at 9:45 pm77Paul

    Hi Andrew,
    There are about 9 models in the Vogue Range. I think yours is a Vogue C made between 1937 - 1944. All Birch construction and originally it may have had a tailpiece and a longer shaped scratchplate. It was also sold as a Paramount Special. Harmonies are slowly becoming more collectable, especially the early electrics. As you say, it looks similar to a Kalamazoo.

    regards,

    Paul
    

78. on 03 Oct 2008 at 4:49 pm78LEE MORGAN

    HI PAUL REALLY ENJOY THE COLUM IN ACOUSTIC , SO MUCH SO AS I VENTURED OUT OF MY DREAD WORLD AND BOUGHT A 125TH ANNIVERSARY WASHBURN PARLOUR , SPRUCE TOP TRABESI BACK AND SIDES , MAHOGANY NECK,ROSEWOOD BOARD THATS A BIT BLINGY BUT ACORDING TO THE BROCHURE CORRECT ,THE ONLY DOWNER IS THE PLASTIC SADDLE AND PINS , BUT IM GOING TO SPLASH OUT AND GET SOME MADE BY BOB COLOSI , LOVE THE 12 FRET NECK ,VERY V PROFILE BUT TO ME WHOS A VIRGIN TO SHORT SCALE A REVALATION. I NEARLY ALWAYS PLAY IN DADGAD WHICH SOUNDS GREAT , BUT OPEN D AND G BECKONS , I FEEL LIKE A KID AT CHRISTMAS , KEEP UP THE GREAT WORK REGARDS LEE
    

79. on 03 Oct 2008 at 8:34 pm79Paul

    Hi Lee,

    Glad you appreciate my column in Acoustic. It's a pleasure to write for such a well produced Magazine. That looks a nice guitar ! 12 fret necks are always better for Blues and open tunings. Have you tried open Gmin D G D G Bflat D ? Have a look at my clip on YouTube using this tuning.
    http://uk.youtube.com/watch?v=NIfxfAhjNCw
    Also, here's a late 1800's Original Washburn
    http://uk.youtube.com/watch?v=EcWIL_8UhoU

    Thanks for posting,

    Paul
    

80. on 05 Oct 2008 at 1:21 pm80Caitlin

    Hello,
    I don't know if you can help me. But I was wondering if you could tell me
    anything more you know about the regal floral guitar....as i think that i
    have one. My grandfather gave it to me, as he got it when he was a little
    boy late 1920s to early 1930s, and he got it new. SO if you could tell me
    anything about this guitar. I was looking to have it restored but if it
    should not be i would like to know. There is no serial number on it or
    anything burned on the inside of the guitar. The only way i knew, is because
    it has a green regal sign on the top built in Chicago or made in....also the
    floral pattern you have is identical to the one on my guitar. I took it to a
    guitar center and they could not tell me what date it was or anything....so
    if you know anything i could send you pictures if you like. Anything would
    be helpful!
    Thank you
    Caitlin
    

81. on 05 Oct 2008 at 11:52 pm81tony lewallen

    hello paul i have guitar amd wanted know what it is worth
    

82. on 06 Oct 2008 at 12:11 am82Paul

    Hi Caitlin,

    Regal, along with many other brands decorated guitars at that time with all kinds of "Floral" patterns. Would it be possible for you to upload a photograph of your guitar on this site so I can hopefully see what model you have ?

    Paul
    

83. on 06 Oct 2008 at 12:14 am83Paul

    Hi Tony,

    Not the greatest pic to give an opinion from. Is there any name or brand on the guitar ? What condition is it in ?

    Paul
    

84. on 06 Oct 2008 at 12:20 am84tony lewallen

    well it is a harmony is is in great condition
    

85. on 06 Oct 2008 at 12:42 am85Paul

    Harmony arch tops of the 50's and 60's are not yet in much demand as collectables. The 60's electric models, Stratotone Jupiter's, H 73/4's etc. are begining to show reasonable rises in value to what they were two years ago. There is a great Harmony reference database on http://harmony.demont.net/
    have a look on there to see if you can match your guitar to one shown there. Could be an arch tone or similar.

    Paul
    

86. on 17 Oct 2008 at 10:18 pm86Tom Howard

    Dear Mr. Brett
    I've just inherited a 1977, Kiso-Suzuki Grand Hillbilly - (model W-50 / series 60711) - and it appears (and sounds!) to be a first-rate copy of a Martin D-35. It really "sings," with an incredibly long sustain. For reasons unknown, there are no reviews or information about this particular model on the web, although a few other Kiso-Models can be found. Might the "Hillbilly's" have been limited? (I've never seen them for sale on ebay either). I've no idea regarding its market value, but also can't imagine ever wanting to part with it. (I've been playing various guitars for many years, but this one has a very unique, bell-like timbre that possibly improved with age). In any event, it seems to have the qualities of a vintage guitar. I've uploaded 2 photos (they're embedded in a Word.doc). Thanks very much for any information you might have to share -- and also for your wonderful website and services!
    Sincerely,
    Tom Howard
    

87. on 18 Oct 2008 at 12:07 am87Paul

    Hi Tom,

    Many Japanese Companies who made copies of US models fell foul to law suits and either stopped producing (records were conveniently lost ! ) or evolved into another format of company, the latter of which, seems to apply to Kiso Suzuki. I had a parlour size Suzuki in the late 70's and as I recall, it had a really crisp and full sound for fingerpicking. They haven't yet caught the imagination of the collectors market and are still relatively low in re-sale price compared to other Japanese made guitars from that era.

    A fellow guitarist from Japan has about the best information I can source on Kiso Suzuki .He mentions your guitar within. Hope this helps

    Paul

    "May be you know about this information of Kiso Suzuki, but many people uses english don't know about Suzuki well. Because Suzuki is Japanese company.
    Kiso Suzuki is old name of it company, now we call "Suzuki Violin". There is Nagoya City Aichi pref. Japan. this company is making a violin, a cello, a viola, a contrabass, and mandolin etc... but it's NOT making and repairing a guitar. Because there are no workperson to make a guitar and there are no drawing. This is why a guitar printed "kiso suzuki" or "Three S" is very rare. Suzuki was built by Mr.Suzuki Masakichi. May be Suzuki made guitars till first stage of the 80s (it means all Suzuki guitar is senior than me). Suzuki sometime made a guitar as OEM (ex. HILLBILLY, Tomson, sonoro, Watson, kansas, ƒ^ƒPƒnƒ‹(Takeharu)). In Japan, many people uses Suzuki guitar, but it's minor than Yamaha, Yairi or Morris. Suzuki guitar's Model No. means price of it. For example, W-300 is 30000 yen, AE-25 is 25000 yen.(1 dollar is about 110 yen. But during then to now, inflation was occured in Japan. By my mother's speaking, the value of money then was twice as today's it. It means W-300 is about 550 dollars today.) I think it is inexpensive, but I bought my W-300 for 15.5 dollars at auction;-))
    It's no context information, but I wish this information helps you.
    have a nice life with Suzuki guitar" Tetsu.
    

88. on 18 Oct 2008 at 9:20 pm88Gary Brown

    Greetings Paul. Happy to know of you. Wonderful site! I'm restoring an early REX. You see it here after I've removed the awful time-worn finish from the top. Eventually, I will hand-wipe on Minwax Antique Oil Finish. Can't wait to play her. Will put on silk/steel strings. I do not know if this Rex is in any way related to the McCartney Rex. I'm guessing this one is from around 1900, give or take a few (or many) years. All the best! Cheerio.........Gary Brown Cleveland, Ohio USA
    

89. on 20 Oct 2008 at 1:14 am89Paul

    Hi Gary,
    As far as i am aware, REX branded guitars were made by Kay in the USA. Mid to late 30's into the 40's. McCartney i suppose could have got hold of one of these models but i have not seen any pics of his guitar. Good luck with your restoration and thanks forposting on my site.

    Paul
    

90. on 23 Oct 2008 at 9:26 pm90Michael J Wood

    Hi Paul, thought you might like to hear this story of a Paul Brett sig. 1970's Aria? Well over 30 years ago I unexpectedly came in to £200, went to a guitar shop, thought the best of the bunch was an Aria by somebody called Paul Brett? Funny feeling after all these years seeing a twin on the net. I'm not a collector, or a researcher, or a net geek so it has taken a long time to find you. But, following a prompt by Mr Brian Willoughby at a work shop, I couldn't resist dropping you a line. This guitar has been my mainstay as a Folkie/Blues player for decades. However, 4 years ago disaster struck! It had survived 30+ years of gigs, dings and casual neglect. However, one night it slid gracefully from the edge of a table, the neck hit a chair and it cracked where the neck meets the body. By way of a funereal rite I took it to my guitar doctor (Mark Challenor, Otley) looking for commiseration. 'What' says Mark, you dcon't give up on a good guitar like this! I'll drill some diagonal holes in to the crack and inject some steam and glue. Eh? But this is a delicate instrument it can't... Give mee a week! Idid! It worked! Wow! 4 years later my old veteran with a broken neck still sings like a nightingale. If anybody askes you if a 70's PB Aria can go the distance - just send them to me. Yes you can see the scares and I've lost count of the 'dings' but it still sing. Oh yes, it sings. OK, now seeing as it has taken me decades to find you can I ask a question? My PB has, for me, a warm dark tone. Being a Folkie, often in noisy sessions I feel the price I pay for the warmness is a loss of projection. (a price I'm happy to pay) I don't know if you'd agree? I find myself, when talking gitars, pointing to the heavy 70's varnish and the dense hardwood of the body. Would you broadly agree with that or should I be looking at mor complex interactions with structure, organic components, strings and glues??? The reason I ask is not that I find a fault in my PB but, as a performer who uses several guitars, I'm often asked why I need so many. (bit like asking a joiner why he brings a hammer, saw, chisle and drill?) It would be very nice to 'drop' a pearl from the Oracle. Thankyou for providing me with a medium priced gitar that for over 30 years performed like a thoroughbred. P.S. I don't lean it against the table any more! P.P.S. 2 numbers visible throuh sound hole (see photo) : No 541 565. and 500 145 K. Why 2? I can't make out if the other faded print : AW 30? (ref:3 photos). Michael J Wood, Otley. 2008.
    

91. on 23 Oct 2008 at 9:29 pm91Michael J Wood

    Paul, I've just tried to send you 3 photos of my PB sig.70's Aria but I'm not sure if I took more than One? Here's a single one.
    

92. on 24 Oct 2008 at 12:18 am92Paul

    Hi Mike,

    Glad you've found a good repair guy and that your PB is up and running again. I've no idea about the serial numbers to be honest. I signed a deal with Aria for this guitar to be sold under my name only in the UK. Like all "honest" Global Companies, they sold it everywhere else. I was supposed to get a small royalty on each guitar sold and to check sales, I signed a guarantee card with every guitar sold here. I did a gig in Zurich University, Switzerland with Stefan Grossman and John Renbourn afterwards, some guy came into the dressing room with a PB model, asking me to sign the guitar table with a black marker (sacriledge !) and said he brought it in Zurich. I have no idea at all how many were made or sold worldwide as they only accounted to me for about 6 months, but most people I know who brought them, keep them for years.

    My 6 &12 string actually are fairly bright sounding and reasonably loud. Could be Aria made some with different woods, who knows.
    They turned my model into the Johnny Cash signature guitar in the States and decorate it with "Mother of Toilet Seat" inlays. I insisted on wood only inlays on mine. George Gruhn was asking $10,000 for it and I think he sold it.

    I know John Joyce's JJ's were softer in volume than he would have liked, but they produce a great sound and like the PB's, age well.

    Great that you posted here with your story and pics. These guitars are up in the high hundreds now and rising. Guitar magazine (October Issue) just voted John's own designed JJ's in the top 50 of signature guitars of the era. Pity Aria was trying to deny he designed them and the "Sandpiper" before he died.

    Paul
    

93. on 24 Oct 2008 at 6:47 pm93Michael J Wood

    Hi Paul (again), Thanks for all the info on my PB. It's given me a real buzz finding your website. While I'm waiting for your CD and a copy of 'Acoustic' could I ask you about another of my guitars? My HOFNER SENATOR is great fun to play, esp. Jazz. The narrow neck and 'crunchy' tone are a delight. I don't use it away from home as it is all 'top' and no 'bottom end' but it is often my first choice when knocking around new ideas. I still have the pick-up (duff!) and the scratch guard. The label inside reads: 'Hofner Senator - this master class guitar is covered by the guarantee supplied!' The tail piece reads: Hofner Compensator and some worn numbers ending with ...651997. A little metal plate on the back of the head piece reads: Moores of Bradford Tel. 23577 (they don't write phone numbers like that any more!) I love the info line under 'Hofner' on the head: 'Distributed by Selmer of London - Foreign!' Presumably a warning to the youth of our nation to watch out for dodgy European stuff? I just wondered if they come up often and about how much for insurance? Michael J Wood, Otley.
    

94. on 31 Oct 2008 at 8:09 am94James McGowan

    Hello Paul,

    For years I've wanted a recording of your song "Earth Birth", but haven't been able to track the album down. If I read your site correctly, you actually recorded a full album by that name. In any case, how can I get my hands on a copy and is there sheet music or tablature available for it?

    Thanks,

    James
    

95. on 04 Nov 2008 at 1:31 pm95Ian

    Paul - I recently bought a 1970s Guild F212xl-nt. I am absolutely blown away by the sound of this instrument, almost to the point of not wanting to play any of my other cherished guitars (1995 Gibson J200, 1998 Martin SP000c-16R and 1971 Yamaha FG180). You mention the La Bella silk/steel as your coice of strings, but I read that they are fairly quiet - would you please comment.

    Also, what level is your instructional DVD aimed at? I need some help!

    Thanks

    Ian
    

96. on 05 Nov 2008 at 3:26 am96Paul

    Hi Michael,

    Senators are fetching between the £200 and £450 mark depending on model, age, condition and electronics so you have to base tour insurance around those figures. You may get a better idea of value by checking the serial number. Have a look at this link for everything Hofner.... http://www.vintagehofner.co.uk/. Steve Russell'd done a great job in putting all the info together. You can also check the serial numbers to date your model.

    Paul
    

97. on 05 Nov 2008 at 3:40 am97Paul

    Hi Ian,
    I use La Bella's on the Guild F212 I use for Bluesy style playing. I use bronze on my other Guild for more contempoary stuff. Obviously bronze are brighter and a little louder, but John Joyce always used La Bellas for 12 string and I just find them more suitable for the kind of Blues I play on 12 string. Have a listen to John playing a Stella/Harmony 12 string with La Bella strings http://uk.youtube.com/watch?v=HX9Qhqu13fw
    plus have a listen to Bat out of Hell I arranged and performed using an F212 with La Bellas. Tuned down a tone and a half with dropped E's to D.
    http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=80578098
    My 12 string DVD deals with styles,history and lots of Bluesy style picks. Probably the most tuitional section is the fingerpick that I learned from John Joyce. Master that and you can play lots of Blues.

    Paul
    

98. on 05 Nov 2008 at 3:47 am98Paul

    Hi James,

    Yes, I recorded Earth Birth in the mid 70's for RCA. You can still get copies on EBay. I'm going to get it re-mastered for CD release sometime in the near future. Tabs will probably be available as and when I get round to it. There's some free 12 string tabs on this site in the downloads/music tabs section section in .pdf files.

    Paul
    

99. on 14 Nov 2008 at 9:27 am99Julian Lappert

    Hi Paul

    I have just bought an Aria LW30TN from ebay. Its a lovely 12 string acoustic in a light wood with a bound rosewood fret board. It looks as new. There is next to no info available from Aria except they told me that the last price they had for it was 1982 when it was priced at £185. I will email the previous (original) owner for more info in due course but wondered if yiou knew anything about this model. The owner told me he bought it new in 1984 and the sticker inside says made in Japan. I am not at home now but when I get back later I could let you have the serial number. I paid £65 and am sure that's a bargain but would appreciate your views on its quality and value (I will not be selling as it looks too nice but just hoping to hear that its as good and well made as it look) thanks Julian
    

100. on 20 Nov 2008 at 6:12 pm100Julian Lappert

     Hi Paul

     Further to my above query I can also tell you that the guitar has a small label on the inside which says "hand crafted in Japan"

     I look forward to hearing from you in due course and thanks in anticipation regards Julian
     

101. on 23 Nov 2008 at 4:07 pm101Simon Durrant

     Hi Paul

     I have no right to seek your free advice but:

     A freind has asked me to sell his 1901 Martin 0-42
     Ivory Bridge - Rosewood back and sides - good condition and original case

     We think this might be worth as much as 12 grand - would you agree? Could you suggest a first port of call?

     Many Thanks

     Simon
     

102. on 23 Nov 2008 at 8:03 pm102Paul

     Hi Julian,

     I'm afraid I cant help you on the Aria 12 string. Aria made lots of guitars for worldwide distribution. The only Aria's that have been recognised by many collectors and magazines such as Guitar magazine as being collectable and risen steadily in value are my PB signature models and John Joyce's JJ models. In the main, Japanese made acoustics from the 70's and 80's have yet to hit the mark with collectors even though there are some very good ones around today. I would say that you paid around the correct price for your guitar in today's market and the main thing is that you are happy with your buy.

     regards,

     paul
     

103. on 24 Nov 2008 at 12:08 pm103Julian Lappert

     Thanks for your thoughts
     regards
     Julian
     

104. on 24 Nov 2008 at 8:13 pm104Paul

     Hi Simon,

     Here's a view from Scott Frielich of Top Shelf Music in the States where the World Market for high end guitars is dictated from.

     "The value of a Martin 0-42 from that era varies greatly with condition. Most of them have so many issues that have either been addressed poorly or not at all that it's a tough call. Another issue with the vintage instrument market in general that I've observed over the last couple of major shows is that everyone is scared. Dealers are afraid to buy things, even clean ones at amazingly low prices, because like the housing market they are not sure where the bottom is (we aren't there yet) and don't want to be caught with toxic assets that can't be properly valued for any length of time. This is especially true for collectibles. People are conserving cash.

     Realistically, and this is only from an historical perspective based on information that may no longer be relevant, a very clean issue free 0-42 with a coffin case would have brought $18-20k retail a couple of years back. Right now it may not be salable at all, or might have to be as low as $10k.

     There was a mint 65 Stratocaster in sunburst at the booth next to mine at the Philly show. The dealer had it priced at $17.5k and probably would have taken less than $15k for it. 2 years ago it was a $25k + guitar. A good friend of mine who wrote a guitar investment column for on to the guitar magazines had a super clean 1960 Burst and an all gold 56 Les Paul that a customer consigned to him that were to be sold to the highest offer at the show. The gold top changed hands 2 years ago at $100k and could probably have been had for $45k. The burst was purchased for close to $500k a few years back and the owner was looking to get $350k for it. There was a clean no issue 58 Tele that sat at the show for $20k. 2 Years ago I sold a 62 non slab board Tele with a refret for that......to a dealer. I'm not sure that all of these items were still there when the show closed at 4:00. I left at noon. The only strong part of the market is for items in the under $10k range."

     It would seem Simon that in the current market, if you don't have to sell your Martin, it's best to hang onto it till financial conditions improve, otherwise you may loose quite a sum of money selling it in what is now, very much a buyers market.

     Hope this helps.

     paul
     

105. on 25 Nov 2008 at 7:31 pm105Stephen

     Hi Paul
     Have you ever encountered one of the Japanese-made Bozo Podunavac
     12 strings in the UK? If so, how much would one typically sell for?
     Thanks,
     Stephen
     

106. on 28 Nov 2008 at 4:21 pm106thomas van houten

     i have a model 550 gibson steel guitar with peadels it is very old can you tell me when it was made? thanks
     

107. on 28 Nov 2008 at 7:14 pm107Paul

     Hi Stephen,

     re : Bozo Podunavac Guitars

     Japanese made Bozo's made at the K.Yarl shop numbered around 2000, but bearing Bozo's name were produced from 1979 and sold mainly in Europe. They are not as valuable as the custom ones he made previously which can fetch quite a lot of money. I haven't played a Yari made Bozo but Yari is a good quality maker. These were quite elaborately decorated and Bozo is currently handcrafting models including the Bell Western ones between $6,00 and $14,000 dollars, depending on the materials used. These are 2006 prices so they may have risen slightly. Here's Bozo's site http://guitars.net/Bozobell.htm there's lots of info on it.

     Paul
     

108. on 28 Nov 2008 at 7:32 pm108Paul

     Hi Thomas,
     re: Gibson Steel Guitars

     Steels are not really in my area of expertise. However. have a look at this site http://www.provide.net/~cfh/gibson7.html most Gibson Vintage Products are listed there including Steels.

     Paul
     

109. on 30 Nov 2008 at 1:55 pm109Chris Hardy

     Dear Paul, 1) I have tried many 12 strings over many years .. love the sound but have never found one that suits my style: I want to be able to finger pick and find I cannot get my right hand fingers between the pairs of strings easily. So I need a guitar with a wider neck than normal .. I think. A friend of mine had a terrific Martin in the late 60's, the neck was snapped off at a party .. never the same after that. I have tried Guilds .. fine sound especially using a pick, and I am very interested by your praise of the Guild F212 .. I have looked on the net for 60's models for sale .. can't find any .. any suggestions? I like an older guitar, prefer second hand: if they are good quality age and playing improves an instrument, as you know. 2) I have several guitars, including a '72 Les Paul Custom and an '82 Strat, both great instruments that play well and deliver the sound for the blues band I play in www.bigroad.net. But I'd like your comments and advice on my 1962 (I think) Gibson Country & Western SJN 118293. It has the notorious adjustable bridge that has caused me problems on and off, but I am very reluctant to change it. It is a fine instrument .. Stephen Delft, one of the earliest guitar technicians in London (60's) - who fitted it with a Barcus Berry (now removed) told me it was exhibition quality .. he was not a fan of these guitars otherwise. I bought it for £90 second hand, no case, in '67 in Boosey & Hawkes, near Centre Point in London. This was a lot of money and a high price for the time, but it was the only one I could find - I was determined to get a Gibson after seeing John Renbourn: I'd worked all Summer barrowing cement to save up for it. It has a sound-hole Fishman now - easy to remove. I attach some pictures. What's it worth do you think, what would I need to pay for it now .. and also should I have the bridge changed? Can send more pics if necessary .. but I am no cameraman. By the way I have made a CD of acoustic music using this guitar - happy to send you a copy if you let me know where too - just email me. Sorry for this long bit of chatter, I don't get the chance to talk guitars much, all the best Chris Hardy.
     

110. on 01 Dec 2008 at 2:20 am110Paul

     Hi Chris,

     The Guild F212 is a good full sounding 12 string. The 1960's early 70's models are the best, made in Hoboken USA. Scott Frielich of Top Shelf Music currently has a 1969 model available at a very reasonable price $1,200. http://www.topshelfmusic.com/
     I use either La Bella silk and steel ( light or med ) for Blues tuned down either a tone or two tones. On my other one I use a bronze set of light gague, again tuned down for a brighter more folky sound. You don't see many for sale here in the UK and they tend to be pricey when they come up.

     Your Gibson C&W SJN Serial number puts it as a 1963 model. The bridge has always been a bad design fault on these guitars but I wouldn't mess with it apart from changing the plastic saddle to bone . They are not that collectable as a rule as they were Gibson's mid-grade models at the time. Sheryl Crow plays one which has opened up the interest lately. You're looking at between $2900 and $3200 depending on condition for a 1963.

     Hope this helps,

     regards,

     Paul
     

111. on 03 Dec 2008 at 11:05 am111Andrea Santucci

     Hi Paul,
     I'm Andrea Santucci , I' ve bought from you the First Hawaiian guitar
     made by Oscar Schmidt, what a great guitar.
     I've post on youtube a video where I play a Blind Willie Johnson
     song ,my nickname is blueskyheart , the song is God Moves on the
     Water.http://it.youtube.com/watch?v=ZkMq3DPMbsI
     I also would like to buy a twelve string to play old countryblues
     Willie McTell etc. my choice is between a Stella Harmony 922 from
     1963 in very good playable condition or Guild f212 1969 from
     top shelf music. I play with bare fingers .
     Can you tell me your opinion on these two guitars ?
     Thank you Paul, All the best
     Andrea
     

112. on 03 Dec 2008 at 6:17 pm112Paul

     Hi Andrea,

     I have both guitars but my preference would be The Guild F212 . I have two of these and string one with La Bella silk and steel strings tuned about a tone and a half below concert for all Blues stuff and the other strung with d'addario bronze for a more folky sound. Scott who owns Top Shelf is a friend of mine and I brought my Guild F212's from him. The 1969 will be made in Hoboken and they are far superior to the later models. I guess you saw the Stella Harmony 922 on Neil Harpe's Stella site ? These are good old timey guitars and also good for Blues in the lower registers. Again tuned down below concert. The best Harmony Stella I have ever heard was owned by my late friend John Joyce. http://uk.youtube.com/watch?v=HX9Qhqu13fw I now own this guitar and it has an amazing sound for tradional blues. John played an F212 all his life however and he said it was the best for Blues. My preference between the 2 guitars you mention would have to be the Guild F212 for it's versatility, but in the end, it's always up to you what you want from a guitar. Glad you liked the Schmidt guitar.

     Paul
     

113. on 14 Dec 2008 at 11:12 am113Ray Walsh

     Hello Paul.
     I have a Clifford Essex nylon strung acoustic guitar,
     There is a makers plate on the back of the headstock,(Made by Clifford Essex Music Co London).
     There is a white CE embosed on the front of the headstock.
     The label inside the body gives Inst No. 5G 65217.
     I also have the hard case with CE embossed into it.
     Could you supply any information on the instrument, age etc.
     

114. on 15 Dec 2008 at 1:52 am114Paul

     Hi Ray,

     Clifford Essex didn't make many guitars but were expert in the main for banjo's. They also made the Paragon Guitar which Vick Flick used on the original James Bond Theme. Your guitar was probably made by Marco Roccia. Follow this link for lots of info on what he did etc.
     http://www.traditionalmusic.co.uk/guitar-plans/make-spanish-guitar%20-%200003.htm
     If you keep clicking on the "next " link at the bottom of each page it will go into another section. You will also see a pic of these concert made guitars with the CE on the headstock and instructions on how to make one.

     Hope this helps,

     Paul
     

115. on 26 Dec 2008 at 10:57 am115Paul Holder

     Hi Paul,
     This is a long shot but you may be able to help(I have seen the reply on the Kiso Suzuki-and am suprised that these guitars are not highly rated as a collectirs item as the sound and playability are superb). I have a 12 String Suzuki Nagoya Model no: SD312 which I have searched the web for info on but to no avail. I would love to know the history of this guitar and whether it has any value. It is a Martin copy and I think it is solid mahogany back and sides with a spruce top and Mahogany neck with rose wood fret board. The guitar plays beautifully with a real low action and projects very well. I have attached some pictures…But the back and side colours are much richer and redder on the instrument than is being shown in the pictures.
     Any info would be gratefully received.
     Paul
     

116. on 27 Dec 2008 at 1:50 am116Paul

     Hi Paul,

     Pretty much the same info as Kiso Suzuki really. Many Japanese copies of US patented guitars fell foul of International Lawsuits and lots of records and info conveniently went missing. I agree that there were some good guitars among these victims, especially early electric Tokai copies of Fender models. The Vintage Market really goes upto the late 60's and most (but not all) guitars built beyond that were forced into the Vintage Market by dealers without having any real demand. I suspect the Global recession will quickly re adjust that trend.
     It' the old dilema between playing a guitar you think sounds great and owning a guitar that has greater value in the collectors market. I played my Earth Birth Suite for solo 12 string on a cheap Kay model. The LP was released Worldwide by RCA in the mid 70's and got amazing reviews and sold well, but still today, that particular guitar has no real collectors value, but it served me well at the time. Trends can change quicly as well, especially if the earlier vintage makes become too expensive to collect. Collectors then look elsewhere, so there may be a time in the future when Suzuki Guitars become collectable and rise in value.

     Paul
     

117. on 09 Jan 2009 at 7:36 pm117clive hughes

     HI PAUL.
     I OWN A WASHBURN ELECTRIC GUITAR FROM 1970. I HAVE BEEN TOLD IT MAY BE A WHITE FALCON,ITS IN MINT CONDITION I DON,T THINK ITS BEEN PLAYED, IT HAS THE ORIGINAL CASE., PLEASE HAVE A LOOK ,ANY COMMENTS APRECIATED. REGARDS CLIVE
     

118. on 09 Jan 2009 at 7:41 pm118clive hughes

     HI PAUL, HAVE YOU ANY INFO ON YAMAKI. GUITARS,I RECENTLY SAW A 12 STRING BY THEM,REGARDS CLIVE
     

119. on 10 Jan 2009 at 12:45 am119Paul

     Hi Clive,

     There's alot of useful info on Yamaki Guitars here http://pinebaskets.tripod.com/guitar.html
     including other links to Yamaki stuff.

     Paul
     

120. on 10 Jan 2009 at 12:56 am120Paul

     Hi Clive,

     It's probably a Washburn Falcon ( not White Falcon). Made between 1978 and 1984. You will find lots of info on these here :
     http://www.g3h.be/wings/falcon.htm

     Paul
     

121. on 11 Jan 2009 at 1:15 pm121clive hughes

     HI PAUL, THANKS FOR THE PROMPT ANSWER,I FORGOT TO SK WHAT ITS WORTH TODAYS PRICES,ALSO I AM IN THE PROCESS OF BUYING A TAKAMINE F312S NEW YORKER FROM 1982,HAVE YOU A VALUE FOR THAT PLEASE. REGARDS CLIVE
     

122. on 12 Jan 2009 at 2:00 am122Paul

     Hi Clive,

     I'm always reluctant to state exact values for what are basically non vintage guitars. However, I have seen Washburn Falcons sell recently for between £200 - £300 and TAKAMINE F312S for between £300 and £500. Obviously if a buyer wants either one of those particular models then you may squeeze a little more, but the prices I quote are from recent sales of the models you enquired about.

     Paul
     

123. on 13 Jan 2009 at 5:10 pm123clive hughes

     THANKS PAUL, AND THANKS FOR A GREAT SITE, CLIVE
     

124. on 13 Jan 2009 at 8:12 pm124clive hughes

     HI PAUL. HAVE CHECKED THE SITE YOU MENTIONED, AND I HAVE A 1979 B MODEL WASHBURN WINGS.
     

125. on 14 Jan 2009 at 12:06 am125Paul

     Hi Clive ,

     Glad to have been of help.

     Paul
     

126. on 16 Jan 2009 at 8:39 pm126David Bruce

     Hi Paul,
     I recently bought a lovely old no name parlor guitar from America.Being an avid reader of your articles in Acoustic I am hopeful you will be able to bring your Experience/knowledge to bear in identifying and dating the guitar.Neck block no.9324.
     Made from rosewood and spruce,with a v-shaped mahogany neck .Ebony nut and half pyramid bridge with back sloping bridge pins.Stained wood fingerboard.Multi coloured marquetry soundhole rosette and front and back purfling,and centerstrip.It is lightly braced ,having a single brace above the soundhole ,one sloping transverse brace and a full width bridge plate.Overall length 36 3/4"
     ,body length 18 1/4" ,scale length 24 1/2",width front 12 7/8".
     Total strung weight is 2lb.12oz.
     Link to further pictures.
     http://picasaweb.google.co.uk/DandM.Bruce/Gitr#
     Any information you can give will be most appreciated.
     Thanks for your excellent website. David.
     

127. on 17 Jan 2009 at 1:24 am127Andy F

     I have recently come across an older Parlor guitar with the name Adams inlay on the headstock and a small sticker inside (very hard to read) which looks to read Adams as well.. I cant seem to find any information anywhere on the brand. Can ya help?
     

128. on 20 Jan 2009 at 8:15 am128David Bruce

     Hi Paul,
     Just to add a couple of things to my previous post.I have managed to add some further pictures in the link,they show that the guitar has a slightly assymetrical look.Also the width of the back of the lower bout is some 3/16" narrower than the front.
     It is possible that the fretboard is ebony and it has been bleached out with some sort of liquid.Hope this helps.David
     

129. on 21 Jan 2009 at 1:18 am129Paul

     Hi David,

     Upon first look it seemed to fall into the Lyon & Healy mould. However, after reserch it's not. The closest it does come to a L&H was a Style 112 from 1896. It's the only Washburn with dots on 5,7,and 9, but the scale length and body sizes are different from yours, and this one has an ebony fingerboard. My colleague in the States Scott Frielich ( one of the leading vintage experts in the States) says " There were hundreds of small shops here making good quality parlor instruments in the period between say 1880 and WWI. Many of them were started by immigrants who worked for some of the larger companies like L&H, Kay or Harmony and they bought tuners, bridges, fingerboards, etc. from the same suppliers. These instruments were often sold through distributors who sometimes attached their names to the instruments but more often than not didn't. It might be difficult to ever find out who made that instrument, but the dimensions definitely eliminate L&H."
     It certainly looks a nice guitar but i'm afraid that it's origin still remains a mystery. I wish you luck in further enquiries.

     regards,

     Paul
     

130. on 21 Jan 2009 at 1:20 am130Paul

     Hi Andy F,

     I don't have any info either on this particular make. Sorry.

     paul
     

131. on 26 Jan 2009 at 3:20 am131Bob

     Hi,

     I have a 1934 Duolian resonance that I am looking to possibly sell. I have enclosed a picture. There is a small crack on the lower end of the peg head near the neck. The crack is probably repairable. Otherwise it' in good to excellent shape. Can you give me an idea of what this is worth?
     

132. on 29 Jan 2009 at 3:10 am132Andrea Evans

     Mr. Brett,
     I'm hoping you might know more about this "parlor guitar". I will send the full picture but the label reads as follows: A Galiano, Fabricante DI, Chitarre e Mandolini. I've translated the label and basically it was made by Galiano, maker of Stringed Instruments and Mandolins. What intruiges me is the border of the label is surrounded by swastika's. Another "expert" said it was probably a factory made guitar but was unsure about the label. Any suggestions?
     Thank You for your time, Andrea
     

133. on 29 Jan 2009 at 1:00 pm133Paul

     Hi Bob,

     Paste this link into your browser and see a selection of Vintage Duolian's currently for sale. You can form your own idea of value using these as a guide. Remember also, you have to take the condition into account as well.
     http://www.gbase.com/Stores/Gear/GearList.aspx?GS=Y&SF0=12&SD0=1&SF1=8&SD1=1&FY=1930&LY=1938&Keyword=National+Duolian&TF=1&TI0=17

     Hope this helps,

     Paul
     

134. on 29 Jan 2009 at 5:20 pm134Andrea Evans

     Mr. Brett,
     Here is the label you requested.
     Thank You, Andrea
     

135. on 29 Jan 2009 at 10:44 pm135Jim Heaney

     Paul,

     I have a " production" Martin D-28 with a sunburst top/ebony fretboard/no truss rod made in 1976. It plays well and sounds great. Any unusual value associated with this particular model given its characteristics?

     Thanks

     Jim
     

136. on 30 Jan 2009 at 12:00 am136Paul

     Hi Andrea,
     For some reason your photo hasn't uploaded. Please re-try using paul@paulbrettguitarist.co.uk I asked my colleague, Neil Harpe, who is the leading authority on Stella guitars in the world and Galliano wasone of Stella Guitar luthiers until he went on his own. I think Neil has solved your question in the following :

     Dear Paul,

     it would have been made in the shop of Raphael Ciani, in New York. Many of these guitars were produced in the early decades of the 20th century...well before the Nazi era, when the swastika was adopted by Hitler as a symbol now seen as evil.

     "A. Galiano" labels were printed "in shop" as needed, on a small letter press, using movable type (including an array of different borders). Such presses were common in all manner of businesses in those days. They were used to print labels, sales flyers, business cards, etc. I have seen a number of different type faces and borders used on "A. Galiano" labels. Before 1930, a border of little swastikas would have seemed no more unusual than a "Greek key design" or some other such border.

     regards,

     Neil
     

137. on 30 Jan 2009 at 1:05 pm137robert

     Hi, I have a Gibson Mark 81 acoustic, which I am planning to sell. I wonder if you could give me a rough estimate on its value and any tips on where to sell it. I've owned it for about 20 years and understand that this model was made for about 2 years between 76- 78. it has been well played and probably in need of attention, which will reflect in price. If you need any more info, pic then let me know. any help would be appreicated. Thanks.
     

138. on 31 Jan 2009 at 1:05 pm138robert

     following my enquiry about gibson mk 81, I thought I'd send in a pic.cheers
     

139. on 01 Feb 2009 at 12:49 am139Paul

     Hi Jim,

     It wasn't until 1985 that Martin installed and adjustable truss rod. Ebony is the standard fingerboard material for every stock style 28 guitar ever made. Sunburst was an unusual option. Most shops didn't carry sunburst Martins, so it was probably a special order. It may increase the value of the guitar to a customer who prefers sunburst, but it would decrease the value to a customer who prefers natural. The rarity factor may increase the value some, especially since I couldn't find any examples for comparison. Sunburst pre 1930s-1040s Martins tend to bring more than the comparable guitar in natural, and sunburst was a much more common finish in that era. If there is any added value in a sunburst model it would be because someone wants a sunburst as opposed to other options. I've seen the 1976 non sunburst up for sale recently for between $2500 and $3k in vgc.

     Hope this helps,

     Paul
     

140. on 01 Feb 2009 at 1:09 am140Paul

     Hi Robert,

     The Mark series were not Gibson's most heralded moments in their history i'm afraid as they were deemed a radical attempt away from the norm that didn't work That's not to say they are bad guitars. I have a Mk 35 and it certainly holds it's own with much more expensive brands, especially strumming chords. Top of the range was the Mark 99 originally selling for $2199. Yours was their top production model and sold at $999. They began in 1975 and ended in 1979. I wouldn't presume to put a value on this guitar as this series is not that collectable as of yet, but things do change over the years in the collectors market. However you could try a price you think suitable that you would be happy with on Ebay and see how you get on. Put a reserve on it to protect your interest. At least that way you may get an indication of interest and price people may be prepared to pay for it.

     Hope this helps,

     Paul

     Hope this helps,
     

141. on 03 Feb 2009 at 1:29 pm141Rich Halford

     Hi Paul

     I have a 1972 Dick Knight acoustic, see image and http://www.richard-halford.co.uk/dickknight.html. Someone has seen the guitar on my site and asked if its for sale. Its not, and I have no idea what its worth, but it has got my curious about a valuation. Any ideas or advice on where I can get it assessed? I have the original receipt that says it was bought for £190 on 28/12/1972.

     Many thanks,

     Rich.
     

142. on 03 Feb 2009 at 3:48 pm142Paul

     Hi Rich,

     Looks a nice guitar. Dick was a good and well respected maker but it's not that easy to put a value on his guitars. They haven't got the price tag of Tony Zematis stuff but a recent example you could take a guide from is Gordon Giltrap's, "Dick Knight" 1974 made 12 string. He selling it via Guitar Junction, and asking £2,100. 00p. Here's the link http://www.guitarjunction.com/shop/view_product.html?prod=1158

     Paul
     

143. on 03 Feb 2009 at 5:45 pm143Rich Halford

     Thanks Paul, I've just spent 20 minutes perusing Guitar Junctions site and now want another half a dozen guitars to add to my collection - noooooo!
     Best wishes.
     

144. on 04 Feb 2009 at 10:42 am144Chad

     Paul,
     On a recent trip through the back of my closet I found my old guitar given to me by my father when I started playing 15 years ago. I decided to look around on the internet to see if it might be valuable. My search for info on my Magnatone Mark III, lead me to an article that you wrote about these guitars and I have a few questions. First off, the neck on my guitar runs all they way through the body which is unlike any of the pictures I find on the internet. Is this just a finish option, or is my guitar different? Second of all, can you give me an approximate value? It is in very good condition, as my father never really learned to play. He bought it in the late fifties and it was put in it's fake alligator case and stored until I got it in the early 1990's. I played around with it after putting some strings on it( Dad took them off before he stored it the first time) for just a few months until I got tired of my friends making fun of it's 50's sound ( It was the 90's, and grunge was king). Anyway, back in it's case and into the closet it went until a few weeks ago when I stumbled upon it. I had removed the strings when I stored it as well, not so much for storage, but I needed spares for my epiphone.

     Thanks for any more info you can give
     

145. on 04 Feb 2009 at 1:49 pm145Paul

     Hi Chad,

     Extremely rare the Mk 111's. Designed by Paul Bigsby for Magnatone. The through neck is a normal feature on these, see mine http://www.fret-dancer.com/viewguitars.php?groupid=52
     The Mk V's are selling for between $7 and $10 thousand US Dollars by dealers. One went on private sale on Ebay recently for over $5k.
     The Mk 111's, although much rarer, haven't yet attained that kind of price, but with the Bigsby connection I have seen them sell for $1200 - $2000 mark. The better the condition, the more the price and with their original case. Your mates may laugh at the non grunge sound, but very few of the modern offerings match upto the single pole pick up on the Mk 111 and these are definately escalating in collectability and value. Bigsby's own creations can set you back a quarter of a million dollars if you can find one and of course have the cash to buy one !

     Post a pic of your guitar in this section if you have one, as many people use this area for reference.

     Paul
     

146. on 05 Feb 2009 at 11:12 pm146Bruce

     Hello Paul,
     I have come across a Stella acoustic which I haven't been able to find any info on. I was told of you by, fretdancer, that you may have some answers to my ?'s.
     I am not a guitarist nor a musician but I do know pretty much that when I can't find any info, anywhere, there must be a reason for it.
     My guitar is a Stella 10-string acoustic, approx. 27" in length and 9" at its broadest point, the place where you tie the strings is wooden. The tuning knobs are ivory in color, probably stainless steel gears and the pegs are made of wood. The frets seem to be made of brass and there are 3 inlays on the neck which I believe is mother of pearl.
     Have you ever seen anything like this?
     

147. on 06 Feb 2009 at 12:33 pm147Bruce

     Hello Paul (again),

     I've done some more research on this guitar and have come up with some more details as it may be a "viola caipira". The ones I had seen listed that the strings were 5 nylon strings and then steel strings. Mine has nylon-steel-nylon-steel, etc. up until the last string is nylon.
     In my last post about the "where you tie the strings", the bridge and saddle are made of wood and have no other type of material.
     

148. on 06 Feb 2009 at 12:44 pm148Paul

     Hi Bruce,

     Basically it's a Stella Tipple. Listed in the Oscar Schmidt catalogues. Very popular in the early 19th Century but in very little demand now. Of course that may change in future but as of the present, you would probably find dealers selling for around the $250 mark. Stella Guitars made by Oscar Schmidt are the most sought after among collectors and players alike. It is a rare find however, as not many still exist and you may find an enthustiatic buyer who will pay more just to fill in a slot in his collection. Thanks for sending it in.

     regards,

     paul
     

149. on 16 Feb 2009 at 6:47 pm149steve

     hey paul i have a tf morris accoustic i know its a japanese make but dontknow to much more. the model is a w645. any info you can give me would be greatly appreciated thanks STEVE.
     

150. on 18 Feb 2009 at 11:55 am150Paul

     Hi Steve,

     I don't have much info on Morris guitars but there is some available from https://www.artisanguitars.com/morris_info.htm and some user view http://reviews.harmony-central.com/reviews/Guitar/product/Morris/FA-60/10/1

     Can't find a reference to your model but the links may prove helpful in your search. You can also leave details of your guitar on the Harmony Central site.

     On 2000 Guitar Database site http://www.guitarsite.com/database/Guitars/rec/365/
     you will find a whol list of people asking questions about morris guitars including one about the same model as yours, which as yet, is unanswered, but you can also maybe get in touch with this guy and see if he has any updates he can share with you. Scroll a little way down the list, his name is Tim Richardson and his email is tim.richardson@ceridian.com

     Hope this helps,

     Paul
     

151. on 28 Feb 2009 at 4:56 pm151Penny

     Hi Paul & Steve,
     I have left a question on guitarsite.com 2-26-09 asking about a 12 string model #A-28. I'd really appreciate any info anyone can tell me anything about it. I know it's an inexpensive guitar, but sounds great.
     I have read all the history I can find on Morris, just can't find anything about this model.
     Thanks,
     Penny
     

152. on 01 Mar 2009 at 12:03 am152Paul

     Hi Penny,

     The only info I have is listed in 150 above in answer to Steve's question.

     Paul
     

153. on 07 Mar 2009 at 12:44 pm153Gerry Jones

     Hello Paul

     I rescued this parlour type guitar from a skip many years ago and often wondered what make or model it is as there are no details on the intument itself. It has quite an elaborate sound hole decoration and the top edgings are also ornate. I have attached acouple of photos. Many thanks. i really enjoy your column.

     Gerry Jones
     Belfast
     

154. on 07 Mar 2009 at 12:49 pm154Gerry Jones

     sorry here is a better pic
     Gerry
     

155. on 07 Mar 2009 at 6:08 pm155Ken Satterthwaite

     Hi Paul.
     I very recently bought an old guitar that caught my eye in a local charity shop for £10. It's not in bad condition, the worst thing is i think the glue must have dried out as the sides are coming away from the back & front in a few places. Theres some unusual inlaying ot the scratchplate site and some nice stuff around the edge of the guitar.The maker is Alfredo Albertini, Catania. Would be very grateful of any thoughts.
     Many Regards...Ken

156. on 07 Mar 2009 at 6:19 pm156Ken Satterthwaite

     Hi Paul.
     I recently bought an old guitar from a local charity shop. It's not in bad condition, the worst part is the glue has dried out in certain parts and the sides are coming away from the front & back in certain places. It has unusual inlaying at the scratchplate site and wooden inlay around the binding. Now i have cleaned it and given it a little TLC it looks quite good now. It was only £10 and will look good as a talking point if nothing else. Would it be worth having renovated? I would value your thoughts on the instrument please.
     

157. on 07 Mar 2009 at 6:39 pm157Ken Satterthwaite

     Hi Paul.
     I recently bought an old guitar from a local charity shop. It was a little rough when purchased, but got it home, gave it a little TLC and now it looks presentable. The label says Alfredo Albertini, Catania, the sides are coming away from the front & back a little and as it was only £10, wondered if it was worth spending a little on having it renovated. Theres some nice inlaying at the scratch plate site and wooden inlay around the binding. I would value any comments please Paul.
     Regards...Ken
     

158. on 09 Mar 2009 at 2:24 am158Rhonda

     Hi Paul!

     Tony at www.fret-dancer.com directed me to your site. I have a guitar that has been handed down in our family. I so LOVE the sound and feel of it that I wanted to pick one up for my husband... when I started looking for one, I realized I couldn't afford it! I want to keep it but am now wondering what exactly it is that I have and should it be insured? I think I have it narrowed down to a Sovereign 1905 or 1908 but it's more of a blend of the two. Also, I haven't run across one guitar with the same head label (brass plate with small nails). There is no stamp inside but there is large M marked on the inside at the base of the neck (mahogony?).

     I should probably mention that when my older brother had it, I accidentally put my foot through the back of it (I was five... long story). He glued and clamped it and it still sounds wonderful (that was in 1970).

     Any help would be greatly appreciated! Thanks!

     Rhonda
     

159. on 21 Mar 2009 at 3:38 am159Elizabeth

     Dear Paul,
     My mother has an Oscar Schmidt Stella tenor guitar (4 strings) with a bracket number that appears to be 30 9647. Are you familiar with this model? We're trying to estimate its worth but am having trouble finding any information on the web. I've attached photos.

     Any help would be greatly appreciated.

     Thanks so much,
     Elizabeth
     

160. on 21 Mar 2009 at 3:40 am160Elizabeth

     Dear Paul, here is another picture.

     Best,
     Elizabeth
     

161. on 22 Mar 2009 at 10:07 pm161Paul

     Hi Rhondda,

     If it's an Oscar Schmidt Sovereign and in vgc you could be looking at around the $1800 to $2000 mark. Check out this site www.stellaguitars.com Neil Harpe is the world's leading expert on Oscar Schmidt made guitars and he usually has one or two for sale there.

     Hope this helps,

     paul
     

162. on 22 Mar 2009 at 10:11 pm162Paul

     Hi Gerry,

     Looks European made. These are always difficult to identify as Euro guitar records were nowhere near the US ones in keeping records of makers and history. Looks a nice guitar however and finding it in a skip in any kind of condition is a bonus.

     regards,

     paul
     

163. on 22 Mar 2009 at 10:14 pm163Paul

     Hi Elizabeth,

     Have a look at www.stellaguitars.com and see if there are any Stella Tenor guitars listed. You can get more of an idea as to value from what Neil Harpe is selling Stellas for.

     Paul
     

164. on 25 Mar 2009 at 9:21 pm164Rhonda

     Thanks so much Paul!

     Rhonda
     

165. on 16 Apr 2009 at 1:52 pm165Bernd Rest

     Hello there. I have a 1964 Gibson 335, cherry. The headstock broke at some point during its life, but it was repaired very well. It has been fitted with new (superior) machine heads at some point, but I do still have the originals. Everything else original. Varnish in pretty good condition (a few small knocks) etc, and one ca 1 sq inch spot on the front, where the varnish is discoloured and a slightly different red for some reason. It plays very well and sounds excellent. Is it possible to put an approximate value on it without seeing it? Many thanks, Bernd
     

166. on 16 Apr 2009 at 11:16 pm166Paul

     Hi Bernd,
     It will not be worth the $847,500 that someone paid for Eric Clapton's 1964 Gibson 335 TDC Cherry Red guitar unless it is actually that one !
     There is currently one for sale on a UK site, same year, same colour and a 335 with an asking price of £7,500.00. I have also seen 64 335TDC models for sale in the States (sunburst) upwards of $20,000. The headstock repair will make some difference to the price, but if it's a solid, professional one, it should not lower the value much. Without seeing it, I am reluctant to offer you an exact value, but you should ask what's it's worth to you. A fair price is what someone will pay for it. It is certainly a valuable and collectable guitar.

     Hope this helps,

     Paul
     

167. on 19 Apr 2009 at 7:04 pm167Helen

     Hi Paul

     I have a lovely Aria Pro II 6 string acoustic, with your name on it! On the headstock that is. It doesn't have a sticker inside, or appear to have ever had one. It has PB30 inside and the number 541575. I picked it up in a second hand guitar shop about 22 years ago, and have loved it ever since. It has a wonderful tone and plays beautifully. Unfortunately, my darling teenage daughter stuck her knee through the side a couple of years ago and there are now two splits in it. Do you know anything about the model and is it worth restoring it? Two photos on the way. Cheers. Helen
     

168. on 19 Apr 2009 at 7:06 pm168Helen

     Heres another, thanks Paul. Helen
     

169. on 19 Apr 2009 at 7:08 pm169Helen

     and the shameful shot...Helen
     

170. on 19 Apr 2009 at 8:52 pm170Aidan

     Hi Paul, thanks for the great site. I saw you on Flog It, beautiful playing and guitars. I have a Kay LP synth guitar, the one with the effects on board, which I bought second hand in 1986, its Korean made. I have 2 questions,
     1 - How much is it likely to fetch at sale, if anything? I'm not currently likely to sell it as I love the string spacing and action.

     2 - Do you think it would be worth putting better pickups on it?
     

171. on 19 Apr 2009 at 11:25 pm171Paul

     Hi Helen,

     It my signature guitar I did for Aria in the mid 1970's. There is also a 12 string in the series. They are selling for around £700 - £1000 mark and are very rare. Not many people part with them. It would be worth you getting the repairs done professionally by a luthier if you have one local to you. They are collectable and increase in value.

     Hope this helps,

     Paul
     

172. on 19 Apr 2009 at 11:32 pm172Paul

     Hi Aidan,

     I have one the same. They are not really that collectable yet. I have seen them sell for around the £200 mark on Ebay and probably around £275 in dealers. I tend not to change anything from the original unless it breaks as it would devalue the guitar if it became collectable sometime in future. If you are not bothered about this, then better pick ups would certainly add to the guitars sound. It has a good body weight, so if you put a P90 on the neck end and a Humbucker on the saddle end, that should give you a good blues/rock sound with good sustain.

     Paul
     

173. on 23 Apr 2009 at 3:35 pm173Helen

     Hi Paul

     Crikey. I knew it was a lovely sounding thing and is the object I would first rescue in a house fire, but didn't know it may have such a value. I will try to get it restored, and make sure the dear daughter is more careful! Thank you for taking the time and trouble for answering. I saw the Flog It programme too, which is what inspired me to contact you - I am very glad to have found your website. Cheers again. Helen
     

174. on 29 Apr 2009 at 9:16 am174Ian

     Hi Paul,

     I was looking for a decent Fender (Strat or Tele) yesterday for a gig. I ended up buying a new Tele but came across a nice 2nd hand strat , which I am still considering, but I think it may be way over priced. It is allegedly made up of Fender parts (pickups being quite a bit older than the body for instance). It has some fret wear which is causing fret buzz (but the shop said they would fix that). It is a dark blueburst body with some slight signs of use and a pucker Fender neck, but the rear neck plate is not Fender. They are asking £550 for it, but I have seen newer strats made up of Fender parts and in better condition on Ebay for far less (but obviously I can't really try before I buy, and I'm a little cautious about the claims of people on Ebay). Do you have a view about the value of this guitar?

     Thanks
     Ian
     

175. on 29 Apr 2009 at 1:29 pm175Paul

     Hi Ian,
     I can only tell you what I would do given your question. In the end, it's always up to the individual to finally make the choice based upon their needs.

     As a collector, I personally, wouldn't touch anything f that was "made up of parts". The value always lies in the originality of the instrument if you want it to appreciate in value with a sell on rise in price
     However as a player, if it has a killer sound that you feel will definately enhance you're creativity, that is a genuine reason to purchase.

     Hope this helps,

     Paul
     

176. on 29 Apr 2009 at 5:53 pm176Ian

     Hi Paul,

     That is as I suspected, but I am not knowledgable on the brand value or collectability of such guitars. It is a lovelly guitar, plays well and sounds good too, but I figured that the seller placed too much value on the collectability of the guitar.

     Many thanks
     

177. on 29 Apr 2009 at 7:14 pm177Ian

     Hi Paul,

     Just for interest here is a picture of the guitar (need cleaning).

     Cheers
     Ian
     

178. on 30 Apr 2009 at 4:49 am178blackdiamond

     HiPaul, I inherited ann R200 Regal or Harmony by Stella could you tell me something about it. Here is a picture
     

179. on 30 Apr 2009 at 4:51 am179blackdiamond

     Here is the neck.
     

180. on 02 May 2009 at 2:22 am180Paul

     Regal R200's were made by Harmony around 1966 and distributed by Fender. They are all birch construction and were based on the Harmony H929 model. There are lots of similarites between Harmony made brands during this period including Stellas, as Harmony brought the brand ealier in the century. They aren't that valuable or collectable yet, but have found favour with blues pickers as some of them have tonal qualities that nail down some of the early Blues styles.

     Hope this helps,

     Paul
     

181. on 28 May 2009 at 12:01 pm181jan

     hi Paul,
     in the late eighties my husband had the privilidge to bump into John Joyce in a guitar shop in london after chatting John invited Dave to his home where he showed him his collection of guitars they talked about Aria and some prota-type guitars jj had worked on, one being a solid bodied aria pro11 12 string. To cut a long story short john sold it to dave for £300. We have contacted Aria who denie any knowledge of the guitar and wondered if you could shed any light on the history or story behind it. Apperently john used a standard bass body but altered the neck to accomodate 12 strings. It is a beautiful instrument.
     

182. on 31 May 2009 at 1:33 am182Paul

     Hi Jan,

     I too have never seen this guitar. It sounds like it was one of John's experiments using a combination of guitar parts from different Aria's. Send me a pic, I'd love to see it. It doesn't surprise me that Aria deny knowledge of John's work. Despite all the work and guitar designs ( JJ models and Sandpiper) he did for Aria. They were most ungracious and in the end, even denied he designed any guitars for them. That's Corporate twats for you .... nothing changes. Still, everyone who new John and his ability knows the truth. I witnessed John, hand scrolling the Sandpiper logo and saw him do the JJ and Sandpiper designs. He would approve every guitar that left the UK factory having set them up first and sign an approval label. Back then, Aria were great guitars ... not anymore I'm afraid.
     Paul
     

183. on 31 May 2009 at 4:34 pm183Bex Graham

     Hi paul

     My family has been given a guitar. A Yamaha FG-180 in near fine condition. There are just a few scratches on it and on the head something has obvioulsy come off. I was looking to sell it as all it does is sit and gather dust. Whilst loking on the internet i found that this is quite sought after. It is a origional red label from late 1960s to early 1970s but it hasnt got Nippon Gakki on the label. Could you possibly estimate the value of the guitar and whether Nippon Gakki on the label makes a difference to it.

     Many thanks

     bex
     

184. on 02 Jun 2009 at 3:28 pm184vic gain

     dear paul
     sent you an"E" mail complete with photos. My enquiry concerns a Silvertone Classical nylon strung guitar. I would say probably sold via Sears Roebuck in the '60s. This one is in really good condition. Are you aware of such a strange thing? Plays well but wouldn't challenge a Ramirez! Any info greatfully received. Sorry can't upload pic's at the moment, but as I say they were sent in my previous "E".
     Regards
     Vic
     

185. on 03 Jun 2009 at 3:51 pm185jan

     hi
     these are the pics of the aria if you can help will be very much apriciated eg any value of truth behind its making

     thanx
     

186. on 03 Jun 2009 at 3:54 pm186jan

     also this pic
     

187. on 03 Jun 2009 at 3:55 pm187jan

     also
     

188. on 03 Jun 2009 at 3:56 pm188jan

     last one sorry
     

189. on 09 Jun 2009 at 1:52 pm189Paul

     Hi Jan,
     I played a six string version of this in the 1970's. I used it on my Interlife LP. It was released publicly as a six string. However, your 12 string version may very well have been a prototype that was never released on the open market. There were prototypes around of various models at the Aria Warehouse in Heston during the 70's and John would have had access to these and in fact he may have purchased some. Remember, in the successful days of Aria, when they were producing really good and innovative guitars, John was the main guy there for set ups and quality control and he designed the legendary JJ guitars and Sandpiper for them, although Aria were disigenuous regarding crediting him with such.
     The current Aria set up in the UK would not have information on this guitar as in the 70's, it was a franchise that imported Aria into the UK and was owned by a Company called Gigsville run by drummer Pete Tullett, not Aria as it is now. I was there as a marketing consultant as well.
     If John said it was a protype then there is no reason to doubt his word and it may be the only one around.
     Paul
     

190. on 09 Jun 2009 at 1:55 pm190Paul

     Hi Bex,

     Nippon Gaki Yamaha FG-180 are selling around the $350 $400 mark in VGC.

     Hope this helps,

     Paul
     

191. on 09 Jun 2009 at 2:07 pm191Paul

     Hi Vic,

     You can get some nice classical guitars from the 50's and 60's but not that many. Silvertone acoustics haven't really hit any vintage value at present, most selling for around the $150 - $200 mark. Here's a pic of a 1957 one.

     Paul
     

192. on 14 Jun 2009 at 11:46 am192Peter saunders

     Hi,
     I don't know if this will interest you but I've recently acquired a Clifford Essex Paragon guitar which I believe must be from the late 1920's and most probably made by Master Luthier ‘Marco Roccia’. It sat in its original case in the attic of a friend since 1959 and was in a fairly sorry state. I've now restored it and it plays like new. I've spent the last two months trying to find out about the company and have now managed to piece together their history from a variety of sources. One of which was frets.com which has a very similar 1930's Paragon guitar in its museum credited to Marco Roccia. I also managed to track down a back issue of 'Acoustic Guitar magazine' reviewing the same guitar in it's classic gear section, in which it states that the number 102 on the headstock implies it might be only the second produced. My guitar has a slightly different 'simpler' Paragon logo and has number 70 on the headstock leading me to believe it was made some years earlier. I don't know how significant this maybe seeing as only a handful of guitars were believed to have been produced by the company.
     

193. on 24 Jun 2009 at 4:53 pm193Erin

     We came across this Magnatone Mark III recently and have had a heck of a time finding any information to go along with this model. It is a neck-through-body design, with no pearl overlay on the front. It does need a bit of work to restore it, to what we assume was its original glory, but we are uncertain of investing much money when it may just be a hacked up version of the original Mark III. Do you have any information?
     Thank you,
     

194. on 25 Jun 2009 at 1:05 am194Paul

     Hi Erin,

     Difficult to tell from the photograph if this is genuine or not. The shape is very similar and the hardware too. Does the body have acoustic chambers ? (it should not be solid). I can't see the headstock clearly. Also. the pickguard is not the usual one either.
     Sorry I can't be more specific.

     Paul
     

195. on 25 Jun 2009 at 1:11 am195Paul

     Hi Pete,

     Re your Clifford Essex Paragon. They are very rare and I'm pleased you have seen fit to restore it. If it is the second guitar produced it will be a bonus to it's value. There are not that many British Guitar Makers that have made the collectability ladder, but because of Vic Flick's guitar that he played on the first James Bond Theme with The John Barry Severn, collectors do rate the brand.

     Paul
     

196. on 15 Jul 2009 at 8:25 am196Paul (Twig )

     Hi Paul , Sorry to contact via this section of your site but I used to know and play bass with you and these guys called the Overlanders lol , perhaps you'll remember our gigs up North with Phil Wainman, Ian & Lawrie ??.
     Glad to see your still playing great guitar mate , Hope your well and family is ok ?
     I'm still a Chelsea season ticket holder and one of the sex pistols sits behind me lol, and remember my Fulham days with you and living at your old house. Take care and keep up the good work. Best regards
     Paul ( Canterbury ) .
     

197. on 16 Jul 2009 at 10:59 am197Paul

     Hi Paul,
     Glad to see you are still around. I envy you having a season ticket still for Chelsea. That's one of my regrets about living so far away, not being able to go to the Bridge regularly !
     Wasn't Brian the drummer with us before Phil Wainman came in ? Yes, how could I forget the Overlanders and those Cabaret Clubs up North and the doubles on the same night that Harry Hammond booked us into. Haven't seen or heard anything about Lawrie or Ian. My Dad passed in 1990 but my mum is up here and is 93 this year! She still makes a great cup of tea !

     All the best,

     Paul
     

198. on 16 Jul 2009 at 5:20 pm198Bamafatz

     I recently purchased this Sovereign archtop guitar and cant find a date or model stamp anywhere on it. I have only seen one more of these (it was on ebay) it was identical to mine except the tail piece( I believe mine was changed) it was dated 1937. Could you tell me if I have something worth keeping or not. Thank you
     

199. on 16 Jul 2009 at 11:59 pm199Paul

     Hi Bamfraz,
     The tail piece definately looks like a replacement. I can't clearly make out the finer details from the photo but you should be aware that The Oscar Schmidt Company (Stella & Sovereign guitars) were still making Sovereigns till the late 1930's prior to being taken over by Harmony. It could be that your guitar is made by Schmidt. If it is, then one sold recently for $795.00 US$. Schmidt made arch tops are not in the same collectable league as his flat tops and his 12 strings are selling for thousands. But, Schmidt guitars rarely loose value and seem always to appreciate year on year, due mainly to the fact that many of the Old Blues Legends played them. Here's a pic of an Oscar Schmidt 1937 Sovereign Arch top. They made many variations of their guitars and if yours is a Schmidt guitar, then I would hang onto it plus try and get an original tailpiece from somewhere.

     Hope this helps,

     Paul.
     

200. on 28 Jul 2009 at 2:28 pm200Derek Martin

     Dear Paul,
     I bought this guitar on e-bay. It was advertised as 1960's, thought to be Japanese.
     It's semi-acoustic arch top and back, "f" soundholes, cuataway, single pickup. It's 940mm overall, 19 frets, neck is 43mm wide at the nut, body is 440mm long, 400mm at its widest and 50mm thick. It's a bit scruffy, but sound OK. Any ideas as to origin?
     Many thanks,
     Derek
     

201. on 30 Jul 2009 at 10:44 am201Alan Morgan

     I have an Alfredo Albertini Catania No. 12 acoustic guitar which would be at least 50 years old. Can you give me any info on it at all please. Not in very good condition
     

202. on 02 Aug 2009 at 1:43 am202pete

     Hi Paul,
     Don't know if you can help.
     I have a Kiari hand-crafted classical guitar model no; GY110 by K. Kiari.
     This was my second classical guitar which cost my parents back in the early 70's a fair bit of money at that time. I stopped playing classical when I was 17yrs old and this guitar has hardly been played since. After much soul searching, I have decided to sell this guitar, hopefully to someone who will cherish it as I did. I can,t find out much info on the web about this model and was wondering if you had any idea what a fair asking price would be?
     Many thanks for your help in advance,
     Pete.
     

203. on 04 Aug 2009 at 12:30 am203Jake

     I bought this guitar at an antique show. It has a label in the sound hole that says Victoria and it was built by J & B of New York.
     Do you know the age and value range of this guitar?

     Thanks
     

204. on 04 Aug 2009 at 12:36 am204Jake

     On my previous message I put the makers name incorrectly.
     It was built by B & J of New York. See the photo.
     

205. on 04 Aug 2009 at 9:18 am205pete

     Hi Paul,

     Re above post, the guitar is by K Yairi not K Kairi as I posted. Sorry about the error.
     Pete.
     

206. on 06 Aug 2009 at 12:39 am206Paul

     Hi Jake,
     B & J - Buegeleisen & Jacobson brand name guitars were a New York Company who sold but never made guitars. They operated between 1922 and 1939. In the main they produced low market priced guitars but their Victoria 12 string models are selling for around $2,500 in the States. Their six strings in any range are not that valuable or collectable, but are not insignificant either. I would guess anything between $150 and $300 is about the norm, with the odd exception like the 12 strings.
     Hope this helps,

     Paul
     

207. on 06 Aug 2009 at 12:41 am207Paul

     Hi derek,

     No idea at all mate.

     Sorry, Paul
     

208. on 06 Aug 2009 at 12:53 am208Paul

     Hi Pete,

     Japanese guitars are not really in my area of expertise, especially ones that were pre-lawsuit. Lots of records went conveniently missing when the big Yank foot came down at that time on the plagurists in Japan.

     Sorry I can't be of help in this instance,

     Paul
     

209. on 06 Aug 2009 at 1:06 am209Paul

     Hi Alan,

     Does your Alfredo C look like this ? http://www.carolenoakes.co.uk/market/guitars/CNG126.htm
     I don't think these are that valuable in good condition, so if yours in not in vgc, I would say it would not be that valuable.

     paul
     

210. on 10 Aug 2009 at 8:45 pm210michael

     Thought you mind find the following link a blast from the past.

     http://cgi.ebay.com/PAUL-BRETT-1973-TRIDENT-3-Track-ACETATE-UNRELEASED_W0QQitemZ330311327612QQcmdZViewItemQQptZUK_Records?hash=item4ce816df7c&_trksid=p3911.c0.m14
     

211. on 14 Aug 2009 at 1:23 am211Barry Ramey

     Dear Paul,
     I recently acquired this old guitar and another together as a package deal. This is a smaller guitar with a v-neck and sliding bridge. I have looked everywhere on the guitar and there are no markings or model numbers anywhere. Could you please advise if you can identify it. I will post a couple of pics.
     

212. on 14 Aug 2009 at 1:24 am212Barry Ramey

     Another pic of the head.
     

213. on 14 Aug 2009 at 1:26 am213Barry Ramey

     Last one sorry.
     

214. on 15 Aug 2009 at 9:30 am214Roy Hayday

     Hi Paul
     Can you help I've just been given a Alfredo Albertini mandolin nobody in the family knows anything about it or where it came from, I've looked on the webb site but no mention of any of his mandolin's.

     Pic attached

     Regards Roy
     

215. on 15 Aug 2009 at 11:06 am215Paul

     Hi Michael,
     re: Paul Brett Acetate.... I've seen it. It's genuine.

     Thanks for pointing it out.

     Paul
     

216. on 15 Aug 2009 at 11:16 am216Paul

     Hi Roy,

     Alfredo Albertini was a Sicilian luthier, mainly known for mandolins, but he did make guitars too. He was making in the early 1900's so I guess that's where your mandolin sits in the historical timeline. It looks a very ornate piece from the photograph.

     Paul
     

217. on 15 Aug 2009 at 11:24 am217Paul

     HI Barry,

     re your un - identified guitar. From the tailpiece it looks American made. There were many such guitars like this made and usually sold via mail order catalogues. Looks a 1930's piece and maybe Regal made. Without seeing it close up I can give you an exact brand.

     Paul
     

218. on 16 Aug 2009 at 9:57 pm218Roy Hayday

     Hi Paul

     Thanks for your prompt reply any idea wher I might get it valued?

     Roy
     

219. on 30 Aug 2009 at 12:57 am219Paul

     Hi Roy,

     Valuation of the Albertini ....you could try http://www.theacousticmusicco.co.uk

     Paul
     

220. on 05 Sep 2009 at 11:21 pm220Sheila Jakeman

     Hello Paul,
     Do you remember us and your Tommy?
     No contact for such a long time but would love to be in touch again.
     Still doing our thing in the breed and keep on winning!!!
     Do attempt to get in touch would love to see you again.
     Kind regards, Sheila & Dave.
     

221. on 05 Sep 2009 at 11:51 pm221Paul

     Hi Shelia & Dave,
     Good to hear from you. Of course I remember you both and Tommy, also I had Stubby too. They were both fabulous friends. Sandra took Tommy with her when we split up without asking me, and then I heard she gave him away. I could never forgive her for that. Stubby lived with us at my parents home in Braintree and he passed at the age of eight. My Dad loved him lots and he died not long after Stubby. I hope they are together as they were great friends. George the Parrot did what I always said he would, bit through his perch one night, fell off and broke his neck. He was in his 20's and I miss the old bugger too.
     Am now living in North Wales, sadly no Chows, but three cats and my partner Michele. Glad you are still winning with your Chows and I'll certainly get in touch if I am in your area as it would be nice to see you again. The last time I saw you I think that Dave was starting a fishing lake or something ? Did he ever get it going ?

     Stay Well,
     Paul
     

222. on 08 Sep 2009 at 9:08 pm222Fergus Brown

     Hi Paul,
     I'm a new subscriber to Acoustic, and thought I'd take up your invitation there to mention the Otwin Harmony I am 'looking after' atm. Having done some Googling, I've discovered what appears to be a small but dedicated cult of the pre-war/post war German guitar, with some phenonemally decorative examples of this type.

     Honey, the 50 year old blonde German I have, is nothing special; she's from the late fifties or 1960 (the serial number suggests this), has a number of fairly chunky and badly superglued (NOT by me) cracks in the soundboard, and is a little dowdy. She's also missing her pickguard, but is otherwise all original.

     What makes her special? The colour and quality of the soundboard, and her distinctive, resonant, pure blues voice, which at times, when played near the bridge, is almost banjo-like. I've heard no modern guitar which makes this sound, not even close. This is a guitar crying out for a bottleneck, and in Spanish tuning, is as raw and guttural as you can dare dream.

     Having just found the magazine, and the cult of the German archtop, I wondered if this was an area you have covered before and, if not, whether you thought it might be intersting to a general readership...

     Best regards,

     Fergus.
     

223. on 08 Sep 2009 at 9:10 pm223Fergus Brown

     oops; this is her face...
     

224. on 09 Sep 2009 at 9:42 am224Paul

     Hi can you give me any information I have a double neck Su Suki made in Korea Folk Guitar Sea Gee Muscial Co, regards Paul
     

225. on 09 Sep 2009 at 10:45 pm225Paul

     Hi Fergus,

     Otwin guitars are in the main, very fine instruments, as indeed were a lot of other vintage german made guitars. I will try and include this in one of my articles in future.
     Thanks for sending it in,

     Paul
     

226. on 09 Sep 2009 at 10:56 pm226Paul

     Hi Paul,

     I have no info on your Su Suki double neck. I can't find any reference either to a Sea Gee musical co. in Korea.

     Sorry,

     Paul
     

227. on 15 Sep 2009 at 10:54 pm227Sean

     Paul

     This is an old archtop which I've had for 20 years. I have no idea what it is!

     Sees to have unusual neck lamination, the tuners have been replaced but the back of the peghead reveals screw holes and impressions which suggest there may have been a 7th machine in
     the top centre. The position markers are oddly spaced, with two at the 10th position (filled in in black pen), only a single one at the 12th and one at the 14th.

     Any ideas?

     Thanks
     

228. on 20 Sep 2009 at 11:55 pm228Kyle

     I have a burgundy magnatone I believe to be MK111, how do I find more information on the magnatone line as well as values?
     

229. on 21 Sep 2009 at 3:24 pm229Paul

     Hi Sean,

     Can you send me just a pic of the full frontal guitar. Hard to tell from the pic you sent.

     Paul
     

230. on 21 Sep 2009 at 3:25 pm230Paul

     Hi Kyle,

     Can you upload a pic of the guitar please ?

     paul
     

231. on 26 Sep 2009 at 9:11 am231John

     Hello Paul,
     I have just bought an archtop guitar shaped like a cello -how comfy that's not going to feel on the knees ! Mine strangely enough is badged Antoria. It is clearly pre war and there is the same model in the States if violin shaped guitar is Google imaged -this one is a Sovereighn. So how did Coppick buy such an American guitar -new old stock after the war years?
     If you like I will send pics.
     Best Wishes,
     John
     

232. on 27 Sep 2009 at 8:37 pm232Paul

     Hi John,

     By all means, send a photo.

     Paul
     

233. on 29 Sep 2009 at 4:59 am233lyndsey

     Hi,

     My grandfather has a 1939 Kalamazoo Gibson Acoustic DK937 Sunburst and would like to know its value and would like to also sell it.

     thanks

     Lyndsey
     

234. on 02 Oct 2009 at 2:36 pm234Paco

     Hi Paul,

     I'm very interested in knowing details about the Dean's Bell-Tone guitar posted above. Is it possible to contact Dean? It would be great if you can forward him my email address. I think I have some hints about the origin.
     Best,
     Paco.
     

235. on 14 Oct 2009 at 12:11 am235Brendan

     any info on a F hole Grimshaw,Inside label E Grimshaw Piccadilly London. Also how are you on 5 string Banjos I have a 5 string only markings J.CHAMBERLAIN.LEICESTER. I know nothing about Banjos this was acquired in payment for work done and I would like valueston, seem to be a good instrument holding tuning on well corroded strings,Grover machine heads. I also have Hofner galaxie 1964?.Gibson 330 td.1966. Fender stratocaster 1970. Now that I,m approching state penshion I might have to part with my colliction or part of it they are not mint or anything like it they are well used and earned their keep and my friends.
     

236. on 19 Oct 2009 at 3:41 pm236Brendan

     futher to my previous post forgive me for not including my PB30 .
     

237. on 22 Oct 2009 at 2:02 pm237John

     Hi Paul, I recently bought an old guitar, was advertised
     as an old Spanish guitar. It had rusted steel string on it. It has not got any labels attached, but has brass machine heads,with one tuner missing. Top being Spruce,back Maple. The fingboard is rosewood,inlayed, frets are brass with a zero fret.
     The bridge is like a classical one. I believe it could date back to the
     20's 30's or 50's. Would love some info on this if possible.
     

238. on 26 Oct 2009 at 4:01 pm238Mark Williams (Ack Ack)

     Hi Paul, How you doin, long time no see! Just found the old Ack Ack myspace site, wow, that brings back a lot of memories, still sounds fresh though! Could sell those songs to kaiser Chiefs/ Arctic Monkeys with a modern day twist! Still singing for my supper, with a 10 piece jazz funk outfit called Groovemanoova. It would be great to see you if you are around at some stage and would love to know how you got all that archive material together! Hope you are well and it would be nice to hear from you soon.
     Take care,
     Mark
     

239. on 26 Oct 2009 at 7:00 pm239ross bowen

     hello, I have a Top Twenty electric guitar, model No,1970. 0970.
     I have owned it since about 1982-3. I would like to find out a bit more about it, where its from and if it is worth anything. I will never sell as I have passed it onto my son. It still plays pretty well for an old cheapy. my son takes it to his guitar lessons and the guy's there think its cool.
     Thank's Ross
     

240. on 28 Oct 2009 at 12:22 am240Paul

     Hi Mark,

     Nice to hear from you. I still think Ack Ack was one of the best unsigned bands of the era. Glad to see you are still singing and performing. I guess you know John died a few years back? Great loss.
     I found another site for Ack Ack on the web too, put up by Steve.
     I will put links to it when I update my site.

     Take it easy,

     paul
     

241. on 10 Nov 2009 at 5:33 pm241John Craig

     Hi Paul - can you tell me anything about this Clifford Essex Guitar that I have recently acquired? The label inside reads No 580 'The Aloma Model' Clifford Essex and Son Ltd 90 Shaftesbury Avenue London - any information you can give me would be much appreciated.

     many thanks - John
     

242. on 12 Nov 2009 at 12:06 pm242Paul

     Hi Paul
     I have recently purchased privately a Spanish guitar with the label inside reading
     Guitarra de Artesania
     Construida Para
     Manuel Rodriguez - Luthier
     Hortaleeza, 26 28004 Madrid (Espana)
     but the is no serial or model number on the label or the guitar itself, so I wondered did you ever produce such a guitar without any reference?
     The previous owner said he brought it in 1985 and it was not a new back then. The grasin is straight on the top and tuners are ornate and appear good quality. Sounds lovely. I have written an email to Manual Rodriguez (junior) on their site, but no reply
     Pic attached. Can you help?
     Thanks Paul
     

243. on 15 Nov 2009 at 2:03 am243Paul

     Re : Recently Purchased Spanish Guitar.

     Hi Paul,
     Spanish guitars are not really my area of ecpertise I'm afraid, so in this instance, I can't offer any forward motion to you question.

     Paul
     

244. on 15 Nov 2009 at 2:12 am244Paul

     re: Clifford Essex Guitar,
     Hi John,
     I have no info on this guitar model in my records. Early Clifford Essex Guitars are rare and collectable. Their Web site Histoy section mentions only banjos and it isn't that informative about early instruments, apart from banjos. http://www.cliffordessex.co.uk/pages/history.htm
     However, they were based in Shaftesbury Ave. between 1936 and 1942, which may give you an idea of the guitars date as yours lists Shaftesbury Ave as their address. So it is at least either pre or during WW11.
     You could try and contact them to see if they have any records of the Aloma mdel you have.

     Paul

     Paul
     

245. on 15 Nov 2009 at 2:17 am245Paul

     Re : Top Twenty Guitar :

     Hi Ross,
     I think Woolies may have sold these in the 70's. They are made in Japan, but have no collectors value but lots of people learned on them as their first guitar back then. Just like Broadways, and Harmonies in the 60's.

     Paul
     

246. on 15 Nov 2009 at 2:20 am246Paul

     Re Unknown Classical Guitar.

     Hi John,
     Not my area really. It looks like it has a zero fret, which would make it European, but I can't addany further info.

     Paul
     

247. on 15 Nov 2009 at 2:26 am247Paul

     Hi Brendan,

     Re your Collection : Cant help with the banjo, not my scene. I'll pass your list onto to collectors, Here's the Clifford Essex site
     http://www.cliffordessex.co.uk/pages/history.htm

     Paul
     

248. on 15 Nov 2009 at 2:30 am248Paul

     Re Stuart Cowell Contact:

     Hi Kevin,

     Dont have a contact number for Stuart. Try the Paul Brett Sage site on MySpace. The site owner did an interview with him recently, so if you email her via the site, she may have an update on a contact number.

     Paul
     

249. on 15 Nov 2009 at 2:35 am249Paul

     re Dean's Bell Tone Guitar.

     Dean, if you read this. Paco has an update on your guitar. His email is asacopaco-@terra.es

     Paul
     

250. on 15 Nov 2009 at 2:40 am250Paul

     Re 1939 Kalamazoo.

     Hi Lyndsey,

     Your grandfathers Kalamazoo can sell for between $500 and $1000, depending on condition. All the Gibson/Kalamazoo range and especially the Robert Johnson KG 14 model are very collectable. Kalamazoo's were made on the same benches as Gibsons, yet were sold cheaper to non Gibson dealers. If you get a good one, it can easilly compare with Gibsons of the same age.

     Paul
     

251. on 18 Nov 2009 at 1:49 pm251max

     Hey paul
     i got this guitar for free in wales some woman just came up and told me that it was her brothers and i could have it. it seems really old the frets and finger board are grooved from loads of playing. i have had it for years and wondered how old it was. all that is written on it is Antoria and foreign. the model number is warn off. Thank you so much for your time
     cheers
     max
     

252. on 18 Nov 2009 at 1:57 pm252max

     sorry messed up that one here it is
     

253. on 18 Nov 2009 at 1:59 pm253max

     the head
     

254. on 18 Nov 2009 at 2:01 pm254max

     the label
     

255. on 30 Dec 2009 at 10:09 pm255Geoff Browne

     Hi Paul
     In 1976 I bought a second-hand Gibson guitar in a village in the Appalachian mountains (for $75). I now wish to insure it, but the insurers require the following information, but also I'd like to know more about it:
     1. Approximate year of manufacture
     2. Model
     3. Approximate value
     I enclose a photo, and the dimensions are as follows:
     Body width: 16” & 11½”
     Body length: 20?”
     Body depth: 3 and 3/16”
     Fretboard length: 17?”
     Pegboard length: 6?”
     There is no serial number or label. The only thing that is not original is the nut which I had to replace with a modern one. It still plays well, with a good action.
     A Gibson rep had a look at it when he was down this way a few weeks ago – he said it was a genuine Gibson, although he hadn’t seen another like it in his 27 years in the business!
     I would be very grateful if there you can help me with any of the above.
     Thanks,
     Geoff
     

256. on 02 Jan 2010 at 12:49 pm256Neil Howells

     Hi Paul,
     I have a Hofner 12 string acoustic which I bought new circa 1965 - "Western" model 5156 which is in reasonable condition.
     I understand this was quite a common guitar at the time, just wondering if it has any value?

     Regards,
     Neil Howells
     

257. on 05 Jan 2010 at 5:54 am257Jacques Bolduc

     Hi, I purchased this guitar recently and can't get any information, definitive on it. It's a Beltone, dual pickup, 3 toggle, 1 vol 1 tone. Pictures attached. No model nr on guitar at all. Pegs are from W Germany. Thanks a million.
     

258. on 05 Jan 2010 at 5:56 am258Jacques Bolduc

     Here's another pic
     

259. on 09 Jan 2010 at 7:25 pm259Sarah Pritchett

     Hi Paul, I have a classical guitar made in 1970 by Yairi Gakki. It is the 92nd (numbered) guitar he made. It is in vintage condition. I don't ever wish to part with it, but I would like to know its approximate value in today's market. It is also hand signed inside. Thank you for any help you might be able to give. Sincerely, Sarah
     

260. on 19 Jan 2010 at 11:40 am260mandy higgs

     hi paul.
     my boyfriend has a yamaha fg 160. 1969 issue, very good condition.
     would you have any idea of a ball park figure for its value please.
     thanks
     mandy.
     Great site by the way!
     

261. on 19 Jan 2010 at 5:25 pm261Paul

     Hi Mandy,

     What colour label is inside ?

     paul
     

262. on 19 Jan 2010 at 5:39 pm262Paul

     Hi Neil,

     It cost 53 guines in 1966 ! There's not many up for sale today but the acoustic rond hole hofner's of the 60's haven't fared as well price wise as the arch tops and semi's. I wouldn't like to put an exact value on it but you could try putting it on E bay with a reserve if you want to sell.

     Paul
     

263. on 19 Jan 2010 at 5:55 pm263Paul

     Hi sarah,

     Re Yari Gakki guitar. Is it the same as the one in the pic ? This sold for $590 dollars. It was also made in 1970, with a solid spruce top and mahogany back and sides in Nagoya Japan and Signed by Sadao Yairi.

     Hope this helps,

     paul
     

264. on 19 Jan 2010 at 6:05 pm264Paul

     Hi Geoff,

     Re your Gibson Arch top. Could be an L-48. Have a look at this excellent Gibson site that list most Gibsons. http://home.provide.net/~cfh/gibson2.html

     Hope this helps,

     Paul
     

265. on 19 Jan 2010 at 6:09 pm265Paul

     Hi Max,

     Re your Antoria Acoustic. Not really my area of expertise but here's some info that may help.
     Paul

     Antoria
     Antoria is a UK-based brand name used by British importers of guitars that are built by various Japanese manufacturers. Primarily made at the Fuji-Gen factory in Japan during the 1970s, these guitars were imitations of well-known and expensive guitars models available in the United States. These catered to a segment who could not afford expensive guitars. The Antorias range of guitars featured solid chassis on the electric guitars with slim maple necks on popular models including "Telecaster" "Les Paul" and "Jazz Bass". These were said to be good in performance compared to the US brands; however, this is a contentious issue.

     The guitars were imported from the Fuji Gen Gakki factory into UK by companies ñ JT Coppock Leeds Ltd and CSL Charles Summerfield Ltd and re-branded with the Antoria name. The brand gained huge reputation by producing a very accurate imitation of Gibson acoustic and electric guitars.

     Apart from making copies of the Gibson and Fender guitars, they also manufactured interesting variations on other well-known style of guitars. The quality of Japanese instruments produced during the 1970s was comparatively better compared to poor quality controls in USA at that time. These copies of original guitars have now become collectables among guitarists owing to their quality and affordability. Some of the popular Antoria guitars include Antoria classical guitar, Antoria bass guitar and Antoria Mandolin MGM155.
     

266. on 19 Jan 2010 at 6:19 pm266Paul

     Hi Jaques,

     Beltone solids were made by Teisco (Japan) in the 60's. Hound Dog Taylor played Teisco. They are becoming fairly collectable too.

     Paul
     

267. on 23 Jan 2010 at 5:25 pm267chad

     anytking you can tell me about this old gibson???
     

268. on 23 Jan 2010 at 5:29 pm268chad

     another pic here
     

269. on 24 Jan 2010 at 4:32 pm269dave

     Dear Paul

     I`ve recently acquired a John Joyce 12 string. Inside is his signature and the number 84. Is this the date of manufacture, or the number of the instrument? 1984 seems a bit late if, as you say, the instrument was introduced in the seventies. You also say they are quite rare. Do you know how many were produced?

     Dave
     

270. on 25 Jan 2010 at 2:57 am270Paul

     Hi Dave,

     I would say that 84 refers to the 84th guitar sold rather than the year. The question of how many were produced is a sticky one. Aria will never be truthful over either John's sales or my PB models. In fact, shortly before John died, they were even trying to claim he didn't design the JJ models. This was because he was pursuing them for recognition and payment of his Sandpiper designs. When we worked with and for Aria, it was through the British owned Franchise Company, Gigsville, who together with John's and my help, put Aria on the map in the UK. After all the hard work was done, Aria Japan did not renew the Gigsville Frabchise and took it over themselves. John did stay on for a few years but ended his days selling all his JJ owned models in disgust at the way he had been treated. Big Corporates suck to hell when it comes to honouring their word and giving recognition to individuals.
     That said, John's JJ guitars are very rare and highly collectable. Guitar Magazine voted the JJ's in the Top 50 all time guitar designs last year, and I for one was present when John designed the JJ series and the Sandpiper. He even wrote the headstock logo of the Sandpiper in his own hand.
     You have a rare and JOHN JOYCE designed guitar which will increase in value. I hope you enjoy playing it.

     Paul
     

271. on 25 Jan 2010 at 3:06 am271Paul

     Hi Chad,

     Re your Gibson Archtop enquiry. Go to http://home.provide.net/~cfh/gibson2.html
     Scroll down the list and see if your matches any Gibsons on this site.

     Paul
     

272. on 30 Jan 2010 at 4:14 pm272Leffer

     What can you tell me about Evans Lyon & Healy parlors in general and this one in particular? How valuable might a guitar like this be? Thanks very much...
     

273. on 05 Feb 2010 at 6:20 pm273shahpur

     hi , Paul my name is shahpur , i own an Gordon Smith Graduate electric guitar , but what is unusual about it is that it has
     RT on the headstock and solid silver inlays .
     I emailed the gordon smith site and all they could say it is a 80s Graduate .
     I was told by the previous owner that the RT stood for Either Robert/Richard Thompson and if i could show an connection to Richard thompson it could be quite collectable.

     I have included a picture -
     Any help would be much appreciated

     shahpur
     

274. on 07 Feb 2010 at 3:34 pm274Jinksy

     Hi i have a Antoria 212 folk guitar with mother of pearl inset. Any idea what its worth?
     Thanks
     

275. on 24 Feb 2010 at 4:13 pm275Jon-Paul Roccia

     Hi Paul

     apologies for posting this but I really need some help. My name is jon-Paul Roccia, my father's name is marco Roccia and is the grandson o the famous clifford Essex luither marco Roccia. (it gets confusing!!). My father is turning 50 this year and my family is desperatly looking for a guitar made by marco Roccia as it would be the perfect present for him. I know he as been looking or one for years now but doesn't know alot about guitars, neither do I for that matter. Any guidance would be of great help. Thank you.

     Jp
     

276. on 01 Mar 2010 at 10:46 pm276Aidan

     Hi Paul, you helped me before, see posts 170 and 172. I have kept the original PU's on the Kay. A friend of mine has had a Burns Nu-sonic short scale length bass for years. Serial no. 10521. I have tried to upload a photo but it won't work. Are such basses likely to be valuable? It plays great, has great tone and is showing its age up close.
     

277. on 05 Mar 2010 at 6:24 am277Jody Tyler

     Dear SIR I have a gretsch country gentleman orange burst .Chet Atkins signed name on pick guard.#52593 or 62593 or F2593. Brother bought it and played on the road est 60 thru 70 year. off hand without a picture it is in fair to better than fair condition. I would appreciate a ball park fair price. It's part of the family but must part with it. thanks for your time. a thought anyone in texas you know of to follow up with? your site was breathtaking Jody Tyler Austin Tex
     

278. on 07 Mar 2010 at 1:54 pm278mike mangano

     My old 1970's aria accoustic 12 string bridge ripped off , so I took the neck to a pawn shop and bought $95 chinese strat copy and put my Aria neck on it plus 12 saddle bridge and old '59 humbucker bridge pickup and 2 SCm's , now it sounds like a USA Fender electric 12
     The neck was always magic and still great
     mike in australia (age 61)

279. on 10 Mar 2010 at 12:58 am279dave dainty

     hi paul,
     i believe you toured with 10cc in 1974,was their a singer in your group that did a solo called lonely is the singer released on polydor records .i think he had a namelike james parson smith or something similar.
     many thanks
     dave dainty
     

280. on 16 Mar 2010 at 9:38 pm280pete boddis

     hi Paul

     I did contact you a while ago about an old Gretsch acoustic from the 1930s which I can't find in any Gretsch book. It looks like a Regal Big Boy with mop Gretsch headstock. Unfortunately I never followed it up with a pic.
     However, since then, my collection of vintage instruments has outgrown my house and having been offered an upstairs room above local music shop I have now opened up as First Floor Vintage, 159 Lower High Street, Stourbridge, DY8 1TS, where I am both displaying and selling some of my collection. It is mainly old acoustics, acoustic hawaiians - Oahus, etc. and mandolins and tenor guitars. I enclose a couple of photos. I opened up last Sat. and have an ad in the back of April's Acoustic Guitar mag. If you're up in the Midlands at all please drop in for a look and a cuppa.

     all the best, pete boddis
     

281. on 16 Mar 2010 at 10:48 pm281Ken

     Hi,

     My grandfather played this guitar (obviously, from the photo, it was made before 1935) and I think someone in the family still owns it, but I don't know what shape it's in.
     I'm wondering if it's worth trying to acquire, but a friend suggested I email you to find out what it might be. I doubt it was an expensive guitar, they didn't have much money.

     Thanks for your help, if you can do so.

     Thanks,

     Ken
     

282. on 18 Mar 2010 at 2:09 pm282Paul

     Reply to Pete Boddis :

     Hi Pete,

     Good luck with your new Vintage Shop. Send me the same photo at least 1mb without the price tags and I'll use it with a mention in one of mt Collectors Pieces in Acoustic.

     Paul
     

283. on 18 Mar 2010 at 2:12 pm283Paul

     Reply to Dave Dainty re 10CC :

     Hi Dave,

     Never toured with 10cc.Great band however. Don't recall anyone singing that song either.

     Paul
     

284. on 18 Mar 2010 at 2:15 pm284Paul

     Reply to Mark Mangano (Australia) re Aria.

     Hi Mark,

     Aria made some great guitars in the 70's. Glad to see at least a part of yours is still in use.

     Paul
     

285. on 18 Mar 2010 at 3:44 pm285Paul

     Reply to Jody Tyler re Gretsch :

     Hi Jody,

     Dates are important as to price, so I'll give you a rough idea of prices.

     1960 - $7500 to $9000
     1961 - $5500 - $7000
     1962 - - 63 $5500 - $700
     1964 - $3500 - $4000
     1965 - $3500 - $4000
     1966 - $3000 - $3500
     1967 - 1970 - $2500 - $3000

     These are the current $ guide prices depending on condition.

     Hope this helps,

     Paul
     

286. on 18 Mar 2010 at 3:49 pm286Paul

     Reply to Aide re Burns NU Sonics Bass :
     Hi Aiden,

     Burns Nu Sonic basses in good condition are listed in the guide price as between $600 and $750. Judge the condition for yourself and as ever, it's what a buyer is willing to pay.

     Paul
     

287. on 18 Mar 2010 at 3:58 pm287Paul

     To Jon Paul Roccia :

     Hi Jon Paul,
     http://www.gypsyguitars.com/makers.php?id=34&status_id=

     The above is the only link to a guitar made by your grandfather I can locate for sale. His work is rare doesn't come cheap ! He also designed the Paragon for Clifford Essex, another rare and hard to source guitar.

     Hope this helps,

     Paul
     

288. on 18 Mar 2010 at 4:07 pm288Paul

     Reply to Jinksy re Antoria 212:

     Hi Jinksy,

     Around the £150 - £200 mark depending on condition.

     Paul
     

289. on 18 Mar 2010 at 4:18 pm289Paul

     Reply to Shahpur re : Gordon Smith Guitar

     Hi Shahpur,

     Can't twin the guitar with Richard I'm afraid but here's his website and you can contact him personaly via Facebook link, so ask him yourself !
     http://www.richardthompson-music.com/

     Paul
     

290. on 30 Mar 2010 at 9:04 pm290Bill H.

     Hi Paul --

     Wanted to share with you three guitars that I've owned for quite a long time. The first one is a Magnatone Mark III that my father handed down to me. I think it's circa 1955 or 1956 (based on the single pup).
     The 2nd one is a Fender Mustang that my parents gave me for Christmas in the early 70s.
     The 3rd one is an Encore 12-string from the 60s; it was my older brother's guitar and my folks gave it to me after he passed away in 1969.
     I've done my own research to get "an idea" what these guitars are worth, but after reading your site I wanted to get your take.
     Here's the Magnatone...
     

291. on 30 Mar 2010 at 9:06 pm291Bill H.

     Here's another Magnatone pic....
     

292. on 30 Mar 2010 at 9:07 pm292Bill H.

     Here's the Fender Mustang...
     

293. on 30 Mar 2010 at 9:09 pm293Bill H.

     Another Fender pic...
     

294. on 30 Mar 2010 at 9:09 pm294Bill H.

     And another Fender pic....
     

295. on 30 Mar 2010 at 9:10 pm295Bill H.

     Last one of the Fender...
     

296. on 30 Mar 2010 at 9:15 pm296Bill H.

     Here's the 12-string Encore.....
     

297. on 30 Mar 2010 at 9:15 pm297Bill H.

     Last one....
     

298. on 07 Apr 2010 at 1:37 am298D. Mowen

     Hey Paul,
     I read your article on vintage Magnatone guitars, and was surprised there was no mention of the lap steel guitars this company produced. I have one that has a pearl like finish in brown and gray, has Kluson Deluxe tuners, six strings that attach through the body, one volume, one tone knob and a single large pickup with a chrome cover. The name plate located behind the neck reads Magnatone No. 3101. There is a blue & silver decal on the front of the headstock that reads
     "Aloha Music Company Manufacturers Corpus Christi, Texas. Could you perhaps tell me something about this instrument, how many were made, and it's value? Thanks for your time.
     D. Mowen
     

299. on 07 Apr 2010 at 1:42 am299D. Mowen

     I posted the wrong photo on my question. This is the right on, and I have more if you'd like to see them.
     

300. on 10 Apr 2010 at 11:07 pm300D. Hughes

     Hello Paul,

     Love your site, glad to see someone else that is willing to try and help people find info on their guitars!

     I did notice that you didn't have answers for some that were asking about Yairi guitars, so I thought I'd offer a link to my site where anyone can join and ask about any of the Yairi's. Alvarez Yairi, Kazuo Yairi, Hiroshi Yairi and Sadao Yairi are among those that I do have some knowledge on.

     Regards,
     Yairi_luvr aka
     D. Hughes
     

301. on 11 Apr 2010 at 8:42 am301Ron

     Hi Paul,
     I have a Takeharu G 85 classical guitar made in 1973.
     My research so far tells me these guitars were made by the Suzuki violin company from 1973 to 1979. I plan to sell the instrument and
     have so far not been able to get a realistic value for the guitar.
     Can you help?
     

302. on 05 May 2010 at 9:57 am302Chris Mills

     Hi Paul,

     I have been a player for thirty years and a subscriber to Acoustic Magazine since its inception. I enjoy your collector’s articles. My main love is old Gibson flat-tops and I have a couple of really nice ones. Last weekend, at a local car boot sale I found the guitar pictured, lying amongst a pile of other house clearance rubbish.

     It was covered in dirt, cracked and sported steel strings that looked as though they were fitted before the Titanic went down. There were some signs that it might once have been a quite a nice instrument. The marquetry around the sound hole, and at the bottom of the lower bout, is exquisite and very delicate. The woods are all solid, the binding, both back and front, seem to compare well with expensive guitars, and have aged to a lovely yellow colour. The neck appears well constructed and is true, with brass frets and a good action. All in all, the general appearance is that of a well made instrument but… I know nothing about Spanish guitars, so I did a little googling. It seems that most Spanish guitars favour fan bracing or X bracing. This one has ladder bracing – three struts and fairly strong ones. That smacks of a cheaper guitar – or am I wrong? The lower bout is 14 inches and upper bout 10¾ inches.

     There is no makers name and the only wording anywhere on the guitar is “FOREIGN” which is delicately branded onto the bottom of the lower bout. My initial thought was that this would, once again, indicate a cheap import. Then I read that in the US in 1890, all imported goods had to be marked FOREIGN to indicate that they were liable for large import taxes. Did the same thing happen in the UK?

     I essence my question is: I paid £20 for this. Is it worth restoring or have I simply acquired something that at best is an ornament and at worst belongs in the local skip. If nothing else, any ideas you may have on its age would be gratefully received. Also, I assume the light gauge steel strings were incorrect – would this instrument have been strung with gut or nylon? It certainly has the appearance of a vintage instrument – but maybe it is not and has simply had a hard life.

     I have many other pics if they would help.

     Anyway, many thanks for any help or advice you can offer.

     Regards

     Chris
     

303. on 06 May 2010 at 2:40 pm303Richard Barnes

     Hi Paul,

     I have just read your article in "Music Maker" re Magnatone guitars and I wondered if you would be interested in two of my older guitars. One is a 1968 Vox "Folk 12 Electric", of which the only other one I have ever seen is on a video clip I have of the Hollies. The other is a 1978 Japanese version of a Gibson J200. This guitar was produced by Moridaira, (Model No. 850), also known in the USA as Morris Instruments. I tried to reseach the history of this model but Moridaira had no record of ever producing it and I have never seen another one. I did find out, however, that Moridaira held import agreements with Gibson and also Fender around this time and that they also had an agreement with Gibson to produce their models in Japan.

     Both guitars have a wonderful sound. The Vox cannot be tuned to full pitch so I have it tuned flat by 4 semi-tones to C. The Moridaira, in my view, sounds as good as any Gibson except perhaps that the Gibson has a stronger bass resonance.

     I have attached a photograph and would be interested to hear your comments. I had the Vox valued a few years ago by Guitar Village in Farnham. They said it was worth up to £500 at that point in time, but if I kept it a few more years its value could rocket. Of course we have had the recession since then.

     I always enjoy reading Music Maker magazine, there are always plenty of intresting articles to read and a small piece appeared recently publicising our Monday evenings acoustic session at Fifield, WIndsor. Thanks for anything you may be to come up with on my guitars, I have attached a photo of each one

     Kind regards,

     Richard Barnes.
     

304. on 05 Jun 2010 at 7:23 am304shahpur

     hi, Paul , can you please help me ID this acoustic guitar.It is a stunning guitar but cannot find any makers name apart from the small S headstock ( selmer?) to it on internet. The previous owner said it was made in the 1920s and maybe german or american .
     thanks in advance .

     [IMG]http://img.photobucket.com/albums/v227/shahpur/sfull.jpg[/IMG]
     [IMG]http://img.photobucket.com/albums/v227/shahpur/shead.jpg[/IMG]

     P.S the RT guitar turned out to be a custom order Gordon smith guitar.
     

305. on 20 Jun 2010 at 6:47 pm305Patrick Collister

     Hello Paul,
     Firstly, can I thank you for such a wonderful site, adn for your excellent series of articles for the acoustic magazine. I would really appreciate it if you could perhaps shed some light on the guitar that I bought recently for my daughter, Grace. The guitar is banded as a "Lorelei" and appears to be made for the sole distribution of J.E. Dallas and sons. I have no real idea of the woods used in the manufacture of the guitar, but the neck appears to be made of oak, or something similar. The guitar has an arched back, and a zero fret. I have come across the J.E. Dallas name before, primarily becauseof the Jedson line of guiyars and hte Dallas Arbiter line of amplifiers. After forty years of playing however, I have never seen the Lorelei name. The guitar was fitted with nylon strings when I got it, but I was intrigued by the zero fret and wondered if the instrument would possibly take a light weight steel string ( perhaps a guage 10 ). My daughter likes the guitar and we would both value and appreciate any information that you may have regarding it.
     Sincere best regards, Patrick and Grace
     

306. on 21 Jun 2010 at 6:23 am306milton toal

     I have a Gibson Acoustic Steel String flamenco stamped number 5858 and with a red handwritten number 75 near the stamp. My late father bought this in the 1920's or early 30's. It is in very good condition except as follows.

     Three of the brass ferrules through which the tuning pegs pass have been lost, two by a luthier who was given them as models for making one to replace a lost one and an ebony pin has now gone astray and the plastic ones in shops are thinner.

     Can anyone help, please?
     

307. on 02 Jul 2010 at 7:51 am307Marc Jones

     Dear Paul,Would you have any nformation on pre-war Clfford Essex guitar models.I recently aquired an "Ace Model" flattop acoustic which is in pristine condition with its original case but other than a few pictures of the "Paragon model" I can find no other information about guitars from this famous banjo maker.
     The label inside dates the instrument being before 1936 when Clifford Essex became a Ltd company.
     There also appears to be a very faint pencilled initials MR would that be Marco Roccia?
     Thanks for any help.
     

308. on 06 Jul 2010 at 3:01 pm308Dennis G

     I just found your website and thoroughly enjoyed the comments, photos, and expertise displayed by you and your followers. Here's my Magnatone Mark III, but can you explain why it says LYRIC on the headstock? The number plate on the rear headstock reads 52534. Any info you or your readers can provide would be greatly appreciated. Thank you.
     

309. on 06 Jul 2010 at 3:04 pm309Dennis G

     Here's a full image of my Magnatone MarkIII
     

310. on 19 Jul 2010 at 5:13 am310Jessica

     Hello, I have an old Westbrook guitar that was my grandfather's. I don't know exactly when he bought it or where, but I was wondering if you could tell me about what year it was made and what the value of the guitar its. Thank you!
     

311. on 24 Jul 2010 at 12:15 am311Paul

     Hi Jessica,
     Upload a photo of your Westbrook and I'll be able to assist you better with your question.
     Paul
     

312. on 24 Jul 2010 at 12:20 am312Paul

     Re: Dennis G - Magnatone Mk 111

     Hi Dennis,

     Re your Magnatone Mk111. I can only assume that your model with the name Lyric on the headstock was sold by a brand name, probably via a mail order outlet. It sure looks like a Bigsy designed Mk111 from the photos. They are rising in value yearly and are very rare to find in good condition.

     Paul
     

313. on 24 Jul 2010 at 12:31 am313Paul

     Re: Richard Barnes , Gibson copy Moiridaira and Vox 12 string.

     Hi Richard,

     The way things are at present, I would advise hanging onto your guitars if you are not in need of the cash. Many high end vintage electric guitars have halved in value over the past year or so, but acoustics are holding their prices, as indeed, they always do by comparison to their more trendy and volatile cousins, electrics. It's difficult to tell which way the wind is blowing with the world economics. I would say that your Gibson Japanese copy suffered under the lawsuits that US companies issued against the Japanese for plagurism in the 70's. Vox guitars will always have a place in history, even though they haven't quite caught the collectors imagination. The Brian Jones Teardrop electric is the one that is most in demand.
     Thanks for you kind comments re my work in Acoustic Magazine.

     Paul
     

314. on 24 Jul 2010 at 12:55 am314Paul

     Ref: Chris Mills - £20 Guitar Find.

     Hi Chris,

     That's a difficult question. Ladder bracing was the prefered method of early bracing. Stella guitars for instance were ladder braced. Personally, I prefer ladder braced early guitars for blues. Flamenco guitars also used ladder bracing. Lots of Guitars in the late 1800's early to mid 1900's in the States used ladder bracing.I suppose the term 'cheap' could be applied to these but when you consider the value of old Stellas, especially the Leadbelly one, then you would have to say that their appreciation in value over the years has seen some amazing price increases. The term Foreign has been used over the years on many items. I remember when I was a kid, collection toy cars, lots of those had the Foreign made stamp on them. It was more a convenience thing I think than anything else. It's possible the Americans may have had a requirement for imports, but I doubt a very strongly checked one. Same would apply to the UK. Your guitar has a Zero fret, which would to me, put it as European. This was far more favoured in Europe than the States. It does look like it could be of Spanish origin and there are some visible cracks showing on the table. In the end, it's upto you how much you spend on it , if you feel it's worth repairing. £20 buy price may turn into hunderds if there is a lot of work to do and unless you are a skilled luthier, doing all the work yourself, then if it were me, I'd take a view on the cost of repairs against the value of the guitar.
     Glad you like Acoustic Mag, it's a pleasure writing for them.

     Paul
     

315. on 24 Jul 2010 at 1:08 am315Paul

     Ref: D.Hughes offers to help people identify Yaris. Here's his site http://launch.groups.yahoo.com/group/Alvarez_AlvarezYairi_plus/

     Here's my reply:

     Hi,

     My main area of expertise is in Americans guitars. Mid 1800's to the 1960's. I've put you site on my Q&A section suggesting that you may be able to help with specific question from those enquirers who have Yari's, Alvarez,Kazuo Yari. Hiroshi Yari and Sadao Yari.
     Thanks for your concern and help.

     Paul
     

316. on 24 Jul 2010 at 1:20 am316Paul

     Ref: Bill H, Magnatone Mk 111 - Fender Mustang - Encore 12 string.

     Hi Bill,

     Sorry for the belated reply but I've been inundated with articles to write. However, the Magnatone Mk 111 is the rarest you have. I've seen them sell recently for between $1500 and $3000. Depending on condition, originalty and if somebody really wants one. They are designed by Paul Bigsby and as you may be aware, Bigsby's own guitars, if one comes onto the market, sell for mega bucks. I personally love the sound of these little beauties. The other two are nice guitars, but obviously not as rare as the Magnatone.
     Thanks for posting these.

     Paul
     

317. on 24 Jul 2010 at 1:25 am317Paul

     Ref Ken re Unknown Guitar:

     Hi Ken,

     Sorry for the belated reply, been very busy. Is there a name on the headstock ? I can't tell from the photo. It actually looks like an Oahu shaped headstock, but perhaps you can update me if the name is still intact ?

     Paul
     

318. on 24 Jul 2010 at 1:33 am318Paul

     Ref: Leffer : Evans Lyon & Healy parlour Guitar

     Hi Mike,

     Sorry for the belated reply. Been laden with articles to write. I don't like giving out exact values on guitars but I would say that Evans is probably the brand name made by Lyon & Healy. Avreage L&H vibtage parlours sell for between $500 - $700.

     Paul
     

319. on 25 Jul 2010 at 1:18 am319Paul

     Ref: Milton Toal- Wants replecement ferrules for his Vintage Gibson Flamenco Guitar - Can anyone advise ?

     Try : http://www.stewmac.com/
     

320. on 25 Jul 2010 at 1:29 am320Paul

     Re: Ron - Takeharu G 85 classical guitar made in 1973

     Can't hep here Ron. My expertise is in Americana guitars from mid 1800 to 1960. I know Suzuki are still making violins but I think you would need to either contact them in Japan or look for an expert over there who knows the companies history. There was a guy named Tetsu, but I don't have any contact details I'm afraid.

     Paul
     

321. on 25 Jul 2010 at 1:42 am321Paul

     Re Marc Jones Clifford Essex - Ace guitar

     Hi Marc, there's one on ebay http://cgi.ebay.it/1920s-Clifford-Essex-Ace-Marco-Roccia-luthier-Selmer-/300439547440
     If you scroll through the list above, you will see I have had a communication with Mario Rocc1a's Grandson, Jon Paul, about his grandfather's work. MR could well be Mario's initials. Clifford Essex didn't make many guitars, the most famous of course being Vic Flick's Paragon, which he used on the original James Bond Theme with John Barry 7.
     Hope this helps,

     Paul
     

322. on 29 Jul 2010 at 10:43 am322Phillip Tanswell

     Hi Paul,
     I`m hoping that you might be able to offer some help/advice.
     A couple of years ago I bid for and bought a 1930`s Gibson L 00 on e bay. It was in a very sorry state! It had been in an attic in Birkenhead for 30years with no case; baked in summer, freezing and damp in winter. Hence, all the glued joints were perished; not totally in pieces but with a blowing away of dust it would have been.The plus side was that it disassembled very easily.
     The restoration is now well advanced; back in one piece with internal bracing and cracks repaired. The bridge was beyond salvage so a new one has been made with a new internal bridge plate.
     The current issue is that the headstock is in a pretty bad way having had bodged machine head fitting in the past. Before Martyn (my luthier, the very excellent Martyn Booth) begins what will be a delicate piece of work, we need to know what modern machine heads would be the most appropriate and in keeping to fit. I think that the originals would have been "3 on a plate" style (?Klusons). I know that in the recent past Gibson did a modern re-issue of the L 00 so would think the heads usde ther might be right.
     I have e-mailed Gibson 3 times to no avail (no answer!)
     Are you able to help?
     Many thanks
     Phillip Tanswell
     

323. on 29 Jul 2010 at 11:08 pm323Paul

     Hi Phillip,

     Unless you can get originals in vgc it's very difficult to match. Attached is a pic what the originals Klusons were, plastic buttons on a strip. StewMac in the States sell a replacement, three buttons on a strip, either side. They are not an exact replica, as they have improved the design and housed the gears in a metal case. Have a look.
     http://www.stewmac.com/shop/Tuners/Guitar,_solid_peghead_tuners/Vintage-style_3-on-Plate_Tuners.html?actn=100101&xst=3&xsr=91436
     If these are suitable, don't forget to follow the instruction on the page and check out the measurement of your holes, to see if their strip fits.
     Strangely however, have a look at this L00 for sale on GBase. The seller says that he has replacement StewMac tuners. They do not seem to look like the ones they currently have on sale, more like the originals I would say. http://www.gbase.com/gear/gibson-l-00-1936-large-burst
     You can email stewmac and ask them if they have a set that is close to the originals. Click the on the Customer Service/Contact Us button on their site to access their email.

     Hope this helps,

     Paul
     

324. on 29 Jul 2010 at 11:27 pm324Paul

     re: Patrick & Grace - Lorelei (J.E. Dallas)

     Hi Patrick and Grace,

     Sorry for the belated reply, been upto my neck in getting articles written.
     The guitar is probably Czech or German made. The zero fret gives it away. I vaguely remember seeing the name on a guitar many moons ago, but can't recal where or when. You can try La Bella silk and Steel light gague strings. I use these on all my vintage guitars. They put less tension on the table and are a good compromise between nylon and steel. I'm not too familiar with Dallas distributed instruments, although I know they distributed quite a few brands here and have been around a long time in various shapes and sizes. Have a look at this site http://euroguitars.co.uk/viewtopic.php?f=7&t=501
     It's got lots of info on Dallas and you can leave a question there about the Lorelei brand. Thanks for your kind words on my work for Acoustic Magazine too.

     Paul
     

325. on 29 Jul 2010 at 11:51 pm325Paul

     Ref: D, Mowen. Magnatone Steels.

     Hi,

     The reason I didn't mention the Magnatone Steels is that I don't have much knowledge of them. I have most of the important Magnatone guitars however. They also made some great little valve amps that are quite collectable these days too. The steels have not escalated in price and collectability that the guitars have, although I have played a couple of steels and they are very good for the value.

     Paul
     

326. on 01 Aug 2010 at 9:14 pm326klaus hiltscher - affendaddy

     Hi Mr. Brett !

     Is it possible that I have seen you in 1973 as backing musician of Chuck Berry ? I found a pic where Chuck stands behind a monitor box with big letters saying PAUL BRETTS SAGE. And who were the other musician beside you and Chuck ?

     Greetings from Germany - Klaus Hiltscher/Affendaddy

     http://www.flickr.com/photos/khiltscher/4850834650/in/set-72157624631480712/
     

327. on 09 Aug 2010 at 12:37 am327George Biavati

     I have a 4 string Style C Banjo Serial #1496 Written on the back of the original skin is a name with a date of 1934 Any idea what it is worth.
     

328. on 11 Aug 2010 at 3:33 pm328leo

     Hi Paul
     Just found your site - think it's great -
     I own a matched pair of your Aria PB 30 - a six & a twelve String.
     They were bought in 1977/9 and are still in great condition - the six string has been played more and has a few dinks from being on the road but still plays and sounds beautiful - the twelve string has very few marks - they've both been professionally set up and the action particularly on the twelve string is a joy to play.
     They both have a fishman's pickup installed with the jackplug through the end pin so the guitar hasn't been altered at all (KGB in the Wirral fitted them).
     They're both in the original Aria cases - the cases need new hinges but that's the only damage to them - more interesting is I still have the Paul Brett personal note to purchasers signed by yourself for each guitar and each allen key in it's case - I also have the original "distributed by Gigsville" gaurantees for each guitar and these are both signed by "John T Joyce" - the "T" might be an "F" I can't tell - but I wondered if it might be the same John Joyce who designed them?
     I'd not thought of this until I read your article above.
     I've had years of enjoyment from these wonderful guitars but am now retired and need to consolidate resources so could you give me an idea of what they might be worth and where I should advertise them? I can send pictures if needed - am also able to have condition verified by KGB luthiers in Wirral.
     Thanks
     Leo
     

329. on 14 Aug 2010 at 1:06 am329Paul

     Reply to Leo re Paul Brett Sinature Aria's.

     Hi Leo,

     I've seen them selling in vgc for between £750 and £1000. There are very few that come on the market as most people tend to hang onto them. Yes, I signed all the sales tickets and John the quality control ones. You could try advertisng them on EBay with a reserve. A dealer will not offer you retail prices, so maybe either an ebay or a private sale would get a better price.

     Hope this helps,

     Paul
     

330. on 14 Aug 2010 at 1:10 am330Paul

     Reply to George Biavatti re Style C Banjo:

     To be candid George, Banjo's are not in my sphere of expertise an I can't really advise you on your question. Try a banjo site or specialist forum.

     Paul
     

331. on 14 Aug 2010 at 1:11 am331Paul

     Reply to klaus Hiltscher:

     Mmmmm, maybe in another life on Route 66!

     Paul
     

332. on 22 Aug 2010 at 8:09 pm332Phillip Tanswell

     Dear Paul
     Two things;
     1 Many thanks for directing me to Stewmac re machine heads for my pre-war Gibson L 00 restoration. They do a range called "Golden Era Restoration" tuners (3 types) and we got pretty well a perfect match.
     2 Yesterday, in a fit of inexplicable madness whilst out shopping for work clothes, I bought a 12 string guitar! I think its rather nice; a Freshman FA250D12 for a good price (probably due to the recession!)
     Having got it home and played it for a while , I think there is a small but significant problem in the spacing of the string pairs. At the nut, the pairs are spaced at about 2.5mm on the base side to about 2mm at the treble (I think thats fine)
     However, at the saddle, the pairs are spaced at 5mm (almost being all strings equidistant apart).
     This is ok for strumming but for fingerstyle it makes it difficult to play a pair of strings as one.
     I`m quite happy to get a new saddle made but thought I`d ask your advice 1st.
     Is this a normal set up for a new guitar?
     Would setting the spacing the same at the saddle as the nut be appropriate? (so that the pairs are parallel along the neck) or is some other arrangement better?
     Thanks for your help
     Phillip
     

333. on 22 Aug 2010 at 10:34 pm333Tom

     Hi Paul,
     How does someone in the U.S. buy your "Anglers" CD & transcription book? thanks,

     Tom
     

334. on 07 Sep 2010 at 7:31 pm334mike grenier

     hi paul all i can say is you are amazing sweet guitar collection and klowledge i have a standard conservatory parlor 12 fret v neck ladder braced and cant find any info on it only marks inside are s 37 and bold black 3335 s37 are redneck seens straight but bridge gives me over 3/8height at 12th i dont understand straightbrass saddle seens intonation is ok do i replace it with straight or new angle style?any thoughts?
     

335. on 23 Sep 2010 at 9:59 am335Keith and Monika Domone

     Hi Paul,

     Loved the Catfish/kippers story from the BJH tour. We run the BJH web site and are currently writing a book abut the band - would you be happy for us to include that story in the book (or indeed any other tales of life with BJH on the road!)?

     All the best,

     Keith and Monika Domone
     

336. on 28 Sep 2010 at 11:37 pm336Simon Davies

     Hi Paul,
     In case you haven't come across them, I'd recommend KGB Guitars, at the Pacific Art Centre, Birkenhead. They've set up several of my 12 stringers and also reglued the neck blocks on both my vintage Epiphone 12 stringers. One of the Epiphones plays better now than it did 40 years ago.

     Simon
     

337. on 19 Oct 2010 at 12:48 am337doomore13

     Hello, i was checking to see if you could tell me anything about a mandolin, it is a NAGOYA M-750 , made by the NAGOYA GUITAR CO. JAPAN. THANKS
     

338. on 23 Oct 2010 at 5:45 pm338Paul

     reply to doomore 13

     Sorry, Mandolins are not in my field of expertise.

     Paul
     

339. on 23 Oct 2010 at 5:48 pm339Paul

     reply to Keith and Monica Damone re: Barclay James Harvest Tour:

     Use what you like. It was a great tour and etremely enjoyable, especially the Kippers!

     Paul
     

340. on 23 Oct 2010 at 6:09 pm340Paul

     Hi Tom,

     Just click on the For sale section of this site. It's on there.

     Paul
     

341. on 23 Oct 2010 at 6:10 pm341Paul

     Hi Phillip,

     Glad you got sorted at Stewmac.String set ups on 12 strings are a personal preference and can differ according to makes. I don't really have an opinion on the Freshman one you brought as y area of expertise lies in vintage Americana in the main.

     Lots of mass produced 12 strins are ainly made with strumming in mind as that's what they are mainly used for. Foe fingerstyle, if the spacing is too far apart, you will indeed struggle to play the octaves cleanly. You can either ask the ealer you brought it from if he has set up facilities and if he could put a new nut and saddle on with narrower spacing, or take it to your local luthier and ask him to do the same.

     Paul
     

342. on 23 Oct 2010 at 6:11 pm342Paul

     HI Mike,

     If you are referring to the old style saddle being made of brass, these were quite common in Stella guitars and gave the player an almost, reverb/metallic sound which was good for slide playing. These were usually movable bridges and the strings were fixed through a tailpiece.Players have changed this system over the years to a replacement fixed bridge with a bone nut saddle. It depends on what sound and stlye you want to achieve.
     

343. on 23 Oct 2010 at 6:12 pm343Paul

     Hi Keith and Monica,

     Use what you like. It was a great tour and etremely enjoyable, especially the Kippers!

     Paul
     

344. on 23 Oct 2010 at 6:13 pm344Paul

     Thanks Simon,

     I'll check the out. Paul
     

345. on 23 Oct 2010 at 6:14 pm345Paul

     Sorry, Mandolins are not in my field of expertise.

     Paul
     

346. on 12 Nov 2010 at 3:06 pm346Trevor Davies

     Hi Paul,
     I wonder if you could help me with some information about Martin Colletti guitars please? Back in the early 1960's my father bought me a Martin Coletti guitar from a friend of his which I still have, although it is in need of some attention. I have not been able to find much information about them other than some very generic material indicating that they may have been of German or Eastern European manufacture. My particular model has a label stating model G40 and the serial number 1380. It was originally a deep red / brown but the finish deteriorated badly and the guitar was refinished in the 1970s. I'd be grateful for any information you can provide about this guitar.

     Thanks,

     Trevor
     

347. on 15 Nov 2010 at 11:08 pm347Paul

     Hi Trevor,

     I don't have much info on Colletti guitars. It's a pity John Joyce isn't alive as I believe he used to work on them at Rossetti. Sorry , can't be of help in this instance.

     Be well,

     Paul
     

348. on 16 Nov 2010 at 3:45 pm348Gabriele

     Hi Paul, I see that you are selling John Joyce's albums on amazon, but is there any chance to buy a "real" cd and not an mp3 download?
     

349. on 22 Nov 2010 at 10:02 pm349Paul

     Hi Gabriele,

     I can run you off a CD-R if you like ? Same price as the download CD plus postage. Let me know.

     Paul
     

350. on 14 Dec 2010 at 9:40 pm350Andy

     Hello Paul,
     Im wondering if you know anything of John Grey and Son, I have this nice archtop that is signed and dated 1936. It seems they were banjo makers and may have had links with SS Stewart?
     Any thoughts would be well recieved.
     Also would you ever consider trades with your for sale guitars?
     Regards, Andy
     

351. on 22 Dec 2010 at 6:40 pm351Allen

     Hi Paul,

     I just had a Magnatone Mark IV refinished for my dad for Christmas. My dad acquired the guitar in 1966 from a fellow bandmate. I believe it came to him with a "customized" homemade glitter finish *wink*. So, about 20 years ago when I was in high-school, I disassembled it and set to sanding the glitter off--I was going to paint it black and make it a rock-n-roll guitar! Needless to say, I became overwhelmed with the project and abandoned the project, I but kept all the original pieces meticulously saved away (I, at least, had the good sense in my teen-brain!). This is the reason for the refinish.

     The luthier I used restored it to the original dark cherry (?) color. He admitted to me that the guitar is quite rare, and he was careful not to work on anything he didn't have to.

     I have looked all over the internet for info on this guitar, but there is almost none. Can you share any info with me or point me to some sort of guide or history of this guitar? I do know from the luthier that Paul Bigsby designed the guitar for Magnatone. And he suspects that since this guitar has a beveled edge, it may have even come from Bigsby's own shop instead of being mass-produced.

     Happy Holidays,

     Allen

     PS. I have some pictures at home I can share.
     

352. on 03 Jan 2011 at 8:49 am352Kyle

     Hello Paul,
     i was wondering which Guitar tuning you used on you're video "double trouble" where you used you're Double Neck guitar.
     it sounds fantastic.
     

353. on 03 Jan 2011 at 11:24 am353Terry Egan

     Hi Paul
     I’ve got an Otwin Jumbo acoustic guitar which I’m interested in finding out a bit more about. I’m pretty sure that it’s German and made in the mid sixties. I bought it from my guitar teacher about 20 years ago and have played it ‘on and off’ ever since. I can’t remember how much I paid him for it!
     It’s in good condition and plays nicely; can you help in my enquiries?
     Many thanks
     Terry Egan

354. on 03 Jan 2011 at 11:26 am354Terry Egan

     Hi Paul
     I’ve got an Otwin Jumbo acoustic guitar which I’m interested in finding out a bit more about. I’m pretty sure that it’s German and made in the mid sixties. I bought it from my guitar teacher about 20 years ago and have played it ‘on and off’ ever since. I can’t remember how much I paid him for it!
     It’s in good condition and plays nicely; can you help in my enquiries?
     Many thanks
     Terry Egan
     (Have got pictures, but having a problem uploading)
     

355. on 01 Feb 2011 at 1:43 pm355Charles

     Hi Paul,
     Great site! I was wondering if you'd come across this Hawaiian decal before and have wondered about the manufacturer. I have had this guitar restored to be played and I suspect it is a Supertone parlour approx 1920's but I am uncertain. The decal looks similar style to the Kincaid 'ound Dog.
     

356. on 17 Feb 2011 at 2:55 am356John Rumsey

     Hi Paul,
     I just bought this damaged Martin Coletti on Ebay for $60. I just finished a luthier course and I was looking for my first vintage guitar to restore.
     Do you know anything about this guitar??

     Thanks.
     John Rumsey
     

357. on 04 Mar 2011 at 7:02 pm357Paul

     Hi Charles,

     Could also be made by Regal. They made lots of different guitars with decals too. Thanks for showing it to me.

     Paul
     

358. on 04 Mar 2011 at 7:05 pm358Paul

     Hi Kyle,

     It's called The Phoenix. It was designed ny me and hand made by Luthier Steve Jones.

     Paul
     

359. on 04 Mar 2011 at 7:11 pm359Paul

     Hi Allen

     The Mark iV's in vgc are being priced around the $6K mark, so if you can get it up to vgc then you have a valuable instrument. There's one for sale here http://www.gbase.com/gear/magnatone-mark-iv-1957-sunburst

     Paul
     

360. on 04 Mar 2011 at 7:33 pm360Paul

     Hi John,

     Colletti guitars were distributed by Rossetti in the UK. Here's some in depth info:
     http://vintageguitarpro.com/mcoletti.shtml

     Paul
     

361. on 04 Mar 2011 at 7:35 pm361Paul

     Hi Andy,
     Lots of background on the company here : http://www.banjolin.co.uk/banjolin/greyhistory.htm
     I don't realy trade guitars.I only part with them if I want another that fits my collection.

     Paul
     

362. on 04 Mar 2011 at 7:39 pm362Paul

     Hi Terry,

     Otwin were made in East Germany by Musima. Here's a good link: http://www.jedistar.com/jedistar_vintage_guitar_dating_o2.htm
     Scroll down the list until you get to Otwin. You will find other links to
     various sites concerning Otwin.

     Paul
     

363. on 09 Mar 2011 at 12:32 am363Frank

     hello,

     Found a 60s homemade guitar by Paul Brett?

     Or not!

     Read complete story at:

     http://www.guitarage.nl/g/main/others/crazy-story.html

     Thanks
     Best regards from Holland
     Frank
     www.GuitarAge.nl
     

364. on 18 Mar 2011 at 12:32 am364Michelle

     Hi Paul,
     Here is a picture of my father-in-laws pre 1936 Gibson Century Guitar. It is all original and has the # 389 on the inside. Could you tell me anything about this guitar.
     

365. on 19 Mar 2011 at 1:12 pm365Chris

     Hi Paul
     A friend of mine has a Vox mandoguitar 12 string in almost mint condition. It's been in it's case for the last 20 odd years - and shows no sign of having been played - no marks or dust behind the pickups etc.
     This example has engraved covers on the back of machine heads - not sure how unusual that is but most of the pictures that I have found show no covers.

     My pal is considering selling but could do with advise regarding likely value and the best place to advertise
     cheers
     

366. on 19 Mar 2011 at 9:04 pm366Dave Waller

     Hi Paul,
     I read with interest that you have played with Lonnie Donegan. I run an interlinking trio of Lonnie Donegan web sites, one section deals with the "Band On With Lon", listing all who have played with him and when. I wonder if you can recall that period, and let me have some information? ie. Dates, and who else was with you and Lon at that time. If you have any Lonnie related tales, I'd be interested in those as well, even better (I know I'm pushing my luck) would be some pictures.
     Many thanks,
     Dave
     PS. Could you send the reply to my email address, thanks D.
     

367. on 22 Mar 2011 at 3:39 pm367Chris

     Hi a friend of mine has a Bozo Podunavac 12 string bell western guitar that he is now looking to sell. Can you advise the where best to advertise this?
     Thanks
     

368. on 23 Mar 2011 at 7:49 pm368Paul

     Hi Dave,

     I played with Lon in the Summer of 1970. I was with The Cyril Stapleton Orchestra and Lon was playing a Summer Season in Blackpool with us. His guitarist, Les Bennetts left suddenly and Lon asked me to join his group. I don't have any pics I'm afraid. I did play in Lon's All Star Football team. He loved to beat Freddie Starr's team as I don't thin there was any love lost between them! I have fond memories of Lon, and especially our dressing room chats about the Blues and especially Leadbelly. I found him very down to earth (fish & chips in the dressing room) and wished I could have stayed with him longer, but I had my first Paul Brett Sage LP out on Pye at the end of the run and went abroad to promote that. The drummer was Mark Goodwin, I can't recall the bass player. There were some noted musicians in Cyril's band at that time too. Cliff Townshend (Pete's Dad) and David Palmer, later of Jethro Tull.

     Hope this helps,

     Paul
     

369. on 23 Mar 2011 at 7:53 pm369Paul

     Try Ebay first. Put a good reserve on it!

     Paul
     

370. on 23 Mar 2011 at 7:56 pm370Paul

     Try this link http://home.provide.net/~cfh/century.html

     Paul
     

371. on 23 Mar 2011 at 8:03 pm371Paul

     Hi,

     Very rare. Elderly had one for sale for $1500 http://www.elderly.com/items/26U-1507.htm. Try Ebay first with a good reserve.

     Paul
     

372. on 23 Mar 2011 at 8:04 pm372Paul

     Definately nothing to do with me!
     

373. on 23 Mar 2011 at 8:07 pm373Paul

     Have a look at this link and scroll down to Otwin. http://www.jedistar.com/jedistar_vintage_guitar_dating_o2.htm

     Paul
     

374. on 06 Apr 2011 at 3:12 pm374Kix

     Hi Paul

     I have a Stella Oscar Schmidt 1920's Decalcomania . It is a Grand Concert (very nice guitar to play) was wandering what strings you use and what strings you would recommend that I should use on this guitar. I am a big fan of the ragtime style and this is the sound I would most like to achieve. With your knowledge and experience I am sure you could send me in the right direction.

     Kind regards
     Kix
     

375. on 08 Apr 2011 at 1:11 am375Paul

     Hi,

     I use La Bella Silk and Steel light gague on my Stella 6strings.

     Paul
     

376. on 08 Apr 2011 at 1:13 am376Paul

     Depending on condition and playabiliy, these fetch upwards of $4.5k - 5.5'
     

377. on 12 Apr 2011 at 12:47 am377Ben Jacobs

     Hi Paul,
     I have a PB-30, First off a brilliant guitar, It is my mums guitar though she no longer plays, I was wondering whether you would be able to recommend:
     1. a pickup/pre-amp for the guitar (I have been looking at the fishman ellipse series as they require very little modification to the guitar)
     2. a guitar tech in the London/South east area who would be able to re-saddle, advise on fret condition and fit the pre-amp

     would a re-fret or fitting of a pickup effect the value?

     Thank you very much

     Ben
     

378. on 12 Apr 2011 at 6:23 pm378Paul

     Hi Ben,

     K&K pick ups are really good. Either passive http://www.kksound.com/puremini.html and add an externa;preamp or active http://www.kksound.com/ultrapuremini.html with pre amp included. re fretting and re saddle will not affect value or adding a pick up, providing they are done professionally.
     Hope this helps,

     Paul
     

379. on 04 May 2011 at 12:27 am379Paul

     Hi Bill,

     From the pic it doesn't look like a Martin. Can't quite make out if the bridge is pyramid in shape either. Could be Lyon & Healy (Washburn), but bery difficult to actually give any positive comment from the photo.
     I can't recall meeting Jim Franks at all, although I may have done, so again, can't be positive as to an answer.

     Be well,

     Paul
     

380. on 04 May 2011 at 12:34 am380Paul

     Hi Helen,

     Looks like an early 20th century Gibson A series. You should insure it for at least $2000.

     Be Well,

     Paul
     

381. on 04 May 2011 at 12:36 am381Paul

     Hi Michelle,

     Gibson L Century's in vgc can fetch between $4500 and $6,500 from retailers.

     Hope this helps,
     Paul
     

382. on 04 May 2011 at 12:38 am382Paul

     Hi Terry,

     Click on this link and scroll down until you reach Otwin. http://www.jedistar.com/jedistar_vintage_guitar_dating_o2.htm

     Hope this helps,

     Paul
     

383. on 16 Sep 2011 at 11:00 pm383Paul

     Hi Julian,

     Here's a visual sample of both 12 and 6 string http://www.youtube.com/watch?v=8vvIrWTb0AU
     12 string is electro acoustic and priced at £499. There have been lots of enquiries to JHS. Should be available Nov/Dec. Best to email JHS and put your name down with them for notification of exactly when they will be in and where. They will notify you by email.

     Hope this helps,

     Paul
     

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